A Quote by George Arthur Buttrick

Life is essentially a series of events to be lived through rather than intellectual riddles to be played with and solved. — © George Arthur Buttrick
Life is essentially a series of events to be lived through rather than intellectual riddles to be played with and solved.
So many of our enormous emotional crises are lived through the media. They're lived through movies; they're lived through what we watch on television - they're not actual events in our life.
I would say, and as I have said before, the series [Narcos] does not demonstrate real happenings but rather events that the screenwriters, in their own taste, believe depict the way we lived.
I'd rather have the market tell us what - I'd rather have events precipitate events, rather than just sit there like passive people in Washington.
No; but you came, and found the riddles waiting for you! Indeed you are yourself the only riddle. What you call riddles are truths, and seem riddles because you are not true.
Freud "interpreted" dreams by treating them as intellectual riddles whose details, once processed through free association, exposed hidden wishes.
It is so important to remember that, as we travel through life, there will be so many events which we can`t control. These are things that seemingly alter our lives forever or become barriers for living a life of fulfillment. It`s important to remember that the ultimate experience of life is not to be controlled by events. We all have difficult events in our lives - the loss of family members, economics, stress, litigation, government interference in our businesses, health challenges. Remember that it is not the events that shape our lives, but, rather, the meaning we attach to them.
Yet Gotama's Dhamma is more than just a series of axioms. It is to be lived rather than simply adopted and believed in. It entails that one embrace this world in all its contingency and specificity, with all its ambiguity and flaws.
Back in the late '90s, a writer named Daniel Handler decided that kids books were too cheerful. I mean, all the "Harry Potter" series did was occasionally kill off major characters. Thus was born "A Series Of Unfortunate Events" and its mysterious author, Lemony Snicket. "A Series Of Unfortunate Events" is now a great new series on Netflix.
Few people know anything of the English history but what they learn from Shakespear; for our story is rather a tissue of personal adventures and catastrophes than a series of political events.
There are still people who essentially live in intellectual silos and either read Mother Jones or watch Fox News, based on their worldview. And they pick information out that reinforces it rather than keeping an open mind.
I would rather do twenty TV series than go through what I went through under that Rank contract I signed a few years ago for which I blame no one but myself.
I have always wanted to make a series of films which would be like an 'emotional history' that conveys what it feels like to live through history as an experience rather than a grand story. It would be about the relationship between the tiny fragments and moments of personal experience, and the continual backdrop of big events.
A person's life consists of a collection of events, the last of which could also change the meaning of the whole, not because it counts more than the previous ones but because once they are included in a life, events are arranged in an order that is not chronological but, rather, corresponds to an inner architecture.
I loved that it was about human relationships and then it was a mystery without falling into the trap of a thriller per se, because it pulled you in through people rather than through events or effects.
Life is not a destination; it's a journey. It's not a series of goals; it's a series of steps, of events unfolding as you make your way. Life is not all about accomplishment; it's all about doing, participating, progressing, growing, learning.
The largest cultural menace in America is the conformity of the intellectual cliques which, in education as well as the arts, are out to impose upon the nation their modish fads and fallacies, and have nearly succeeded in doing so. In this cultural issue, we are, without reservations, on the side of excellence (rather than "newness") and of honest intellectual combat (rather than conformity).
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