A Quote by George Balanchine
The ballet is a purely female thing; it is a woman, a garden of beautiful flowers, and man is the gardener.
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Man designs for himself a garden with a hundred kinds of trees, a thousand kinds of flowers, a hundred kinds of fruit and vegetables. Suppose, then, that the gardener of this garden knew no other distinction between edible and inedible, nine-tenths of this garden would be useless to him. He would pull up the most enchanting flowers and hew down the noblest trees and even regard them with a loathing and envious eye. This is what the Steppenwolf does with the thousand flowers of his soul. What does not stand classified as either man or wolf he does not see at all.
The real wealth of a good gardener is not his salary but the marvellous flowers he is raising in the garden!
The Gardener does not create the Garden. The Garden creates the Gardener.
In the autumn I gathered all my sorrows and buried them in my garden. And when April returned and spring came to wed the earth, there grew in my garden beautiful flowers unlike all other flowers. And my neighbors came to behold them, and they all said to me, "When autumn comes again, at seeding time, will you not give us of the seeds of these flowers that we may have them in our gardens?"
I find that a real gardener is not a man who cultivates flowers; he is a man who cultivates the soil. He is a creature who digs himself into the earth and leaves the sight of what is on it to us gaping good-for-nothings. He lives buried in the ground. He builds his monument in a heap of compost. If he came into the Garden of Eden, he would sniff excitedly and say: "Good Lord, what humus!"
There is nothing like the first hot days of spring when the gardener stops wondering if it's too soon to plant the dahlias and starts wondering if it's too late. Even the most beautiful weather will not allay the gardener's notion (well-founded actually) that he is somehow too late, too soon, or that he has too much stuff going on or not enough. For the garden is the stage on which the gardener exults and agonizes out every crest and chasm of the heart.
After his death the gardener does not become a butterfly, intoxicated by the perfumes of the flowers, but a garden worm tasting all the dark, nitrogenous, and spicy delights of the soil.
you mustn't rely on your flowers to make your garden attractive. A good bone structure must come first, with an intelligent use of evergreen plants so that the garden is always clothed, no matter what time of year. Flowers are an added delight, but a good garden is the garden you enjoy looking at even in the depths of winter.
When tending a vast and beautiful garden, you have to plant many seeds, never knowing ahead of time which ones will germinate, which will produce the most glorious flowers, which will bear the sweetest fruit. A good gardener plants them all, tends and nurtures them, and wishes them well. Optimism is the best fertilizer.
God made a beauteous garden With lovely flowers strown, But one straight, narrow pathway That was not overgrown. And to this beauteous garden He brought mankind to live, And said "To you, my children, These lovely flowers I give. Prune ye my vines and fig trees, With care my flowers tend, But keep the pathway open Your home is at the end." God's Garden
People who are close to God cultivate a personal intimacy with Him like a good gardener cultivates beautiful flowers.
By the time one is eighty, it is said, there is no longer a tug of war in the garden with the May flowers hauling like mad against the claims of the other months. All is at last in balance and all is serene. The gardener is usually dead, of course.
The world is a garden of philosophy. God is its gardener; Man is the visitor. And any tree that does not bear fruits of philosophy either does not belong to that garden or is yet to be grown.
I have learned a great deal from the theatrical side of Covent Garden. The Paris Opera Ballet is more concerned with technique. It's perfect. It's beautiful. It's well done. But it lacks the theatrical tradition that is so important in England. At the Royal Ballet, absolutely everyone on stage seems to be caught up in the plot.
If, I can someday see M. Claude Monet's garden, I feel sure that I shall see something that is not so much a garden of flowers as of colours and tones, less an old-fashioned flower garden than a colour garden, so to speak, one that achieves an effect not entirely nature's, because it was planted so that only the flowers with matching colours will bloom at the same time, harmonized in an infinite stretch of blue or pink.
For this quiet, unprepossessing, passive man who has no garden in front of his subsidised flat, books are like flowers. He loves to line them up on the shelf in multicoloured rows: he watches over each of them with an old-fashioned gardener's delight, holds them like fragile objects in his thin, bloodless hands.
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