A Quote by George Benson

The first time I tried to sing along with my guitar, everybody in the studio booed. They all said it wouldn't work. — © George Benson
The first time I tried to sing along with my guitar, everybody in the studio booed. They all said it wouldn't work.
When I'm at home or in the studio, I have a 1963 Martin. It's a D-28, and I love that guitar. I write on that guitar, and it's the first guitar that I put a pickup in and ran through an amplifier, splitting the signal to the amplifier and a DI or in the studio mic'ing it traditionally and putting an amp in the other room.
The first guitar I ever had was a gut-string Spanish guitar, and I couldn't really get the hang of it. I was only 13, and I talked my grandparents into buying it for me. I tried and tried and tried, but got nowhere with it.
There's an interesting story around that ["Heaven Without a Gun"], because the girl I was dating at the time got into a bike accident and couldn't make it into the studio, and the gentleman Dave Hamlin who worked on this record along with Ohad sort of took it, rearranged it. Dave went and sonically changed it and changed the keys so that Andy could sing it better. All these pieces came together that suddenly displayed that the song was meant for Andy [Kim] to sing. And he always said, "I'll never understand it, but I'll sing it with all my heart."
I was doing someones hair the day I first saw my guitar ... a guy was walking down the street with it, and knew that guitar was mine (a 1953 weathered Fender Telecaster) .. I said I'll get you the most beautiful guitar you've ever seen and I'll trade you straight across ... I found him a purple Telecaster and said here's your guitar ... that was it, it was like he knew that guitar belonged to me.
I knew I wanted to sing when I was a very small boy. When I was probably 4 years old. My mother played a guitar and I would sit with her and she would sing and I learned to sing along with her.
I got really excited about it. But then we went into the studio and tried to record some with different musicians, and it didn't sound good. It didn't work. So we put together the album [Unchained] with just a guitar and myself.
My partner sometimes liked to go into the studio and improvise voice things just for fun. When I returned from England I transcribed one of her melodies, and had some of the hospice participants sing it, because they said they liked to sing. Their singing is very raw, but I'm going to use it for the final work.
I knew how to sing in choirs and sing in church, but I didn't know how to sing in a studio. That's what Darlene and the Blossoms taught me to do - to be a studio singer.
I just loved the guitar when it came along. I loved it. The banjo was something I really liked, but when the guitar came along, to me that was my first love in music.
I just loved the guitar when it came along. I loved it. The banjo was something I really liked, but when the guitar came along, to me that was my first love in music
Generally I'll keep 95% of what I sing on that first scratch vocal take. Sometimes that idea will ferment for a long time, and sometimes I"ll be close enough to my studio and have enough time (kind of rare these days) to go and work on the idea. Not every song is super easy though.
Growing up, I can remember singing along with my ma all of the time. I wouldn't say she necessarily 'taught' me how to sing, but she was definitely the first person to inspire me to sing and the first to intrigue me vocally. I've always had a natural ear for music, though.
We all love to sing along with our favorite songs. We sing in the car, in the shower, and at the karaoke bar. The problem is that half the time we don't know what we're singing. We're making up lyrics as we go along and hoping no one will notice.
Since this was the first and only series I had ever produced, I was unaware of what the "Normal" environment was for a studio. I tried to run it as I did in my SF studio.
Since this was the first and only series I had ever produced, I was unaware of what the 'Normal' environment was for a studio. I tried to run it as I did in my SF studio.
One time I said: maybe I should burn a guitar tonight. You know smash a guitar or something like that. And they said: yeah, yeah! I said: you really think I should? They said: yeah, that'd be cool. I said: well, ok.
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