A Quote by George Berkeley
Certainly he who can digest a second or third fluxion need not, methinks, be squeamish about any point in divinity.
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The party and the Krikkit warship looked, in their writhings, a little like two ducks, one of which is trying to make a third duck inside the second duck, whilst the second duck is trying very hard to explain that it doesn't feel ready for a third duck right now, is uncertain that it would want any putative third duck anyway, and certainly not whilst it, the second duck, was busy flying.
I can't play any more. I can't hit the ball when I need to. I can't steal second when I need to. I can't go from first to third when I need to. I can't score from second when I need to. I have to quit.
Are you going to wolf out and eat me now?" "Certainly not, you'd be stringy and hard to digest." "But kosher." "I'll be sure to point any Jewish lycanthropes in your direction.
I don't think there's any point going for second or third.
If you have it you don't need it. If you need it, you don't have it. If you have it, you need more of it. If you have more of it, you don't need less of it. You need it to get it. And you certainly need it to get more of it. But if you don't already have any of it to begin with, you can't get any of it to get started, which means you really have no idea how to get it in the first place, do you? You can share it, sure. You can even stockpile it if you like. But you can't fake it. Wanting it. Needing it. Wishing for it. The point is if you've never had any of it ever people just seem to know.
I used to be squeamish a long time ago and I guess, secretly squeamish, no... but I have a huge respect for the human body and what we do and so I think it's a massive privilage for people to let you operate on them. And I used to be very "OOOH GOSH! THIS IS BAD!" but to see people bleeding and suffering is bad and I will never get over that, but being able to do something about it, means that you're no longer squeamish.
Women need to be less squeamish about making money.
We all need to be conscious of what news we take as gospel. And we need to maybe be a little bit sceptical about what we digest.
I'm certainly not squeamish at all. The countryside makes you very aware of birth and death.
I thing for female filmmakers a big issue is making their second and third films. You see the statistics, and the dropoff on the second and third [films] , are dire.
Im certainly not squeamish at all. The countryside makes you very aware of birth and death.
The first word gives origin to the second, the first and second to the third, and the third to the fourth, and so on. You cannot begin with the second word.
As I saw my 60th birthday approaching, I thought,What did 60 mean to me? I figured I'd probably live until I'm about 90, which meant that I was at the beginning of what I call my third act. As an actress, I know how important the third act is. It makes sense of the first and second acts. You can have first and second acts that are interesting, but you don't know what they mean. Then a good third act pulls it all together. And so I knew that, because I sat by my father's side over the long months when he was dying.
As for those wingy mysteries in divinity, and airy subtleties in religion, which have unhinged the brains of better heads, they never stretched the pia mater of mine; methinks there be not impossibilities enough in Religion for an active faith.
I can honestly say that if I was told at this moment that I was dying, not my first, not my second, but certainly my third thought would be that I should never see Italy again.
In one of the Upanishads it says, when the glow of a sunset holds you and you say 'Aha,' that is the recognition of the divinity. And when you say 'Aha' to an art object, that is a recognition of divinity. And what divinity is it? It is your divinity, which is the only divinity there is. We are all phenomenal manifestations of a divine will to live, and that will and the consciousness of life is one in all of us, and that is what artwork expresses.
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