A Quote by George Bernard Shaw
The function of the actor is to make the audience imagine for the moment that real things are happening to real people.
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in a middle of a room stands a suicide sniffing a Paper rose smiling to a self "somewhere it is Spring and sometimes people are in real:imagine somewhere real flowers,but I can't imagine real flowers for if I could,they would somehow not Be real" (so he smiles smiling)"but I will not everywhere be real to you in a moment" The is blond with small hands "& everything is easier than I had guessed everything would be;even remembering the way who looked at whom first,anyhow dancing
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
Well, I think in trying to make life seem real enough that one is moved to do something about the more atrocious things. By going really far afield into a completely fake world, maybe there's a chance to make things resonant somehow - or in this case, truly terrifying. To make it as bad as the real stuff that's happening.
And all the while, I suppose," he thought, "real people were living somewhere, and real things happening to them.
As people who make things, we have the ability to think of the most vile, awful things we can imagine, but it doesn't mean we believe those things. I allow myself to go places in my videos that I would never go in my real life.And I think that there has to be that place where you can create and not have to be living it in real life.
Imagining may be the first step in making it happen, but it takes the real time and real efforts of real people to learn things, make things, turn thoughts into deeds or visions into inventions.
Being an actor in movies is a lot about the power of your imagination and making the circumstance real to you so the audience will feel that it's real.
When I make movies, I have a lot of respect for my audience. I think my audience is smart. If there's a way to be entertained and get things out - real things, not stupid moral crap - that's the best.
If you ask an actor what he'd prefer to act on, he'd probably say a tangible, real set, or even better, a real location out on a mountainside or by a river. It's just easier because you don't have to imagine anything.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
No good book has ever been written that has in it symbols arrived at beforehand and stuck in. ... I tried to make a real old man, a real boy, a real sea and a real fish and real sharks. But if I made them good and true enough they would mean many things
I wrote about real people and real circumstances and real neighborhoods. There was no crypt or castles or H.P. Lovecraft-type environments. They were just about normal people who had something bizarre happening to them in the neighborhood.
As an actor, I need to convince the audience that the character that I'm playing is real, and the situation that this character is in is also real.
Yeah, you know, there's a difference between the textbook world that economists like to imagine, and the real world where real people have real feelings.
When you're being real, that's endearing to an audience. When you're not being real and you're making jumps to things that don't really follow how they would in reality, people don't appreciate that.
The rest of the Third World people are seeing, that the country can make a real change. No changing or trading one master for another. The only real change would be to socialize the means of production and this is what's happening in Jamaica.
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