A Quote by George Bernard Shaw

I would exchange every painting of Christ for one snapshot. — © George Bernard Shaw
I would exchange every painting of Christ for one snapshot.
People believe pictures. It's a photograph that's in your passport, not a painting. Now, George Bernard Shaw said, 'I would exchange every painting of Christ for one snapshot.' That's what the power of photography is.
I tried different techniques during my career, but I especially fell in love with painting with oil and pallette-knife. Every artwork is the result of long painting process; every canvas is born during the creative search; every painting is full of my inner world.
For example, in one of my last exhibitions I had a 50-foot massive painting with I think perhaps a hundred thousand hand-painted small flowers. This was the Christ painting [The Dead Christ in the Tomb, 2008] in my Down exhibition [2008]. Now, I simply can't spend eight hours a day painting small, identical flowers. And so I've got a team that allows me to have these grand, sweeping statements.
This is the mystery of the riches of divine grace for sinners; for by a wonderful exchange our sins are now not ours but Christ's, and Christ's righteousness is not Christ's but ours.
I think we're taking a snapshot view of climate change and trying to implement policy based on that snapshot.
The way you see me on 'Jersey' is a snapshot, and you can't judge from a snapshot.
There was an exchange between me and Andy Warhol. We met, we liked each other, we appreciated each other. He would come to us for Easter in Marrakech. In September we would meet up in Venice. And every time I went to New York I would spend some time with him at the Factory, where we would have dinner together. He's a man that I admired deeply. He shook up the notion of painting - not as much as Marcel Duchamp had done, but he was part of the same general movement. And then we both admired art deco.
I'm kind of an insecure artist. I hop from piece to piece. I always think my life depends on every painting. Every painting is my first painting.
But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.
Christ in the heart of every man who thinks of me, Christ in the mouth of everyone who speaks of me, Christ in every eye that sees me, Christ in every ear that hears me.
I think every painting should be the same size and the same color so they're all interchangeable and nobody thinks they have a better painting or a worse painting.... Besides even when the subject is different, people want the same painting.
I don't want to carry big things around with me. I'm lazy. The snapshot camera, you just carry it around and take the picture. You don't need to think about anything. People in the street are not going to wait for you with a big camera. They would freak out. With a snapshot camera, they are comfortable.
In the vivid description of the Gospel, it would seem that we must help the Christ hidden in every poor man, in every prisioner, in every sufferer. But if we paraphrased the marvelous scene and applied it to the child, we should find that Christ goes to help all men in the form of the child.
I would not exchange the sorrows of my heart for the joys of the multitude. And I would not have the tears that sadness makes to flow from my every part turn into laughter. I would that my life remain a tear and a smile.
I would never put a sculpture in front of a painting, so that it is difficult to see the painting. I always place each thing so you can see it isolated. You can focus on every individual work.
The devil would gladly give a Bible to every man and promote obedience to its commands if in exchange we would surrender to him the Gospel
This site uses cookies to ensure you get the best experience. More info...
Got it!