A Quote by George Bernard Shaw

Opera is when a tenor and soprano want to make love, but are prevented from doing so by a baritone. — © George Bernard Shaw
Opera is when a tenor and soprano want to make love, but are prevented from doing so by a baritone.
The soprano has all those other instruments in it. It's got the soprano song voice, flute, violin, clarinet, and tenor elements and can even approach the baritone in intensity.
I wasn't the best in my class at the Royal Academy. There was a really good soprano and baritone who were technically better and are doing really well in opera now. But I was definitely the best mezzo-soprano in my class, because I was the only one of those!
You can't sing baritone when you're a soprano.
I trained with a guy named Tito Gobbi, who was the Marlon Brando of the opera world. Tito Gobbi was the greatest singing baritone in the opera world and I studied in Florence, Firenze, with him. That was my first love, as it was Frank Sinatra's, oddly enough.
The baritone can serve functions that the alto and tenor cannot, in orchestral voicing.
The baritone can serve functions that the alto and tenor cannot, in orchestral voicing
Opera was an enormous part of my childhood. My parents were both opera buffs, and they met in the box seat of an opera performance. And I also was a boy soprano, so before puberty hit, I was onstage playing a wide variety of orphans and urchins in all sorts of operas, and the sheer melodrama of their stories was just always appealing to me.
When I was a young man, I was a baritone, very far from possessing the whole range of the tenor then.
I wish I had a better range, but I really have a super-limited one. Barely a tenor, dips into baritone - that's about it.
I don't have that kind of voice, the big baritone or rousing tenor sound. My wheelhouse was in the frothier pieces. So my appreciation for those older musicals and revivals grew.
I really wanted to be an opera soprano.
My voice gets recognized before anything else. It's always gotten attention. In choruses at church and school, I started as a tenor, moved to a baritone and finally became a bass. I knew then that my voice would be my instrument. Now if I want to hide, I just keep my mouth shut.
I hardly ever belted; I was a soprano and a comedienne and intended on doing mostly soprano legit roles but my first equity show, to my surprise, was Blues in The Night at The Cleveland Playhouse.
There're lots of musicians in my family, too. My mother sings incredibly well. I've got to make a record with my mother's voice on it. She sings a lyric soprano. We do the opposite. I'm a baritone. She's a star singer in her church. She always does her solo.
I can hit baritone notes, and I can sing in the soprano range if I wanted to. I did this thing a long time ago where I did a duet with myself. I sound like two different people.
When I was in grade school and high school, I did a lot of chorale singing. And the chorus would be tenor, bass, and alto and soprano.
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