A Quote by George Bernard Shaw

A drama critic is a man who leaves no turn unstoned. — © George Bernard Shaw
A drama critic is a man who leaves no turn unstoned.
A critic is one who leaves no turn unstoned.
A good drama critic is one who perceives what is happening in the theatre of his time. A great drama critic also perceives what is not happening.
I am a conscientious man, when I throw rocks at seabirds I leave no tern unstoned.
Man is a great blunderer going about in the woods, and there is no other except the bear makes so much noise. ... The cunningest hunger is hunted in turn, and what he leaves of his kill is meat for some other. That is the economy of nature, but with it all there is not sufficient account taken of the works of man. There is no scavenger that eats tin cans, and no wild thing leaves a like disfigurement on the forest floor.
At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone. . . . Often a writer is aware as he works that a certain critic is going to hate this one. . . . You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation.
If Attila the Hun were alive today, he'd be a drama critic.
Naked a man comes into the world and naked he leaves it, after all is said and done he leaves nothing except the good deeds he leaves behind.
A drama critic is a person who surprises the playwright by informing him what he meant.
Everybody wants to be a critic: a critic without the actual accolades to be a critic.
Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.
To be a mere verbal critic is what no man of genius would be if he could; but to be a critic of true taste and feeling is what no man without genius could be if he would.
I am an Episcopalian who takes the faith of my fathers seriously, and I would, I think, be disheartened if my own young children were to turn away from the church when they grow up. I am also a critic of Christianity, if by critic one means an observer who brings historical and literary judgment to bear on the texts and traditions of the church.
I will never deny that life isn't fair. It seems as though when a woman leaves a man she is strong and independent, but when a man leaves a woman he is a pig and a jerk.
I'm in an odd place right now in New York where I routinely get trashed by every daily drama critic and have a few allies among weekly/monthly drama critics, and you sort of plot these things out and figure it out. But it's just what any writer goes through, periods of favor, periods of disfavor. And the trick is just to keep writing and to not let an obsession.
... a man leaves much when he leaves his own country.
The Christian faith is the most exciting drama that ever staggered the imagination of man - and the dogma is the drama.
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