A Quote by George Bernard Shaw
If a woman rebels against high-heeled shoes, she should take care to do it in a very smart hat
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It is the fragrant lack of practicality that makes high-heeled shoes so fascinating: in terms of static mechanics they induce a sort of insecurity which some find titillating. If a woman wears a high-heeled shoe it changes the apparent musculature of the leg so that you get an effect of twanging sinew, of tension needing to be released. Her bottom sticks out like an offering. At the same time, the lofty perch is an expression of vulnerability, she is effectively hobbled and unable to escape. There is something arousing about this declaration that she is prepared to sacrifice function for form.
People ask me all the time, 'How can I walk in these heels?' I answer with the best compliment I remember that came from a woman who lives here in Paris...I know my street much better. Heels permit me to take the time to look at the architecture of my street. Now I take time to look at things.' High heels give you time to think, to look at your surroundings- a camel has seen more in life than a very quick horse! Women should live to rhythm of high-heeled shoes!
I love to see a woman in high-heeled shoes. There's something about the curve of the feet up the leg to the butt that's really, really wonderful, and the right pair of shoes can give you the right silhouette.
Yet if a woman never lets herself go, how will she ever know how far she might have got? If she never takes off her high-heeled shoes, how will she ever know how far she could walk or how fast she could run?
On the first day of middle school I wore high-heeled shoes that you weren't allowed to wear. I remember being so embarrassed because in every class I went to they kept pointing out that I couldn't wear these shoes. I wanted to call my mom and have her bring me new shoes!
My mother has always been very feminine, always in high-heeled shoes.
The girls just like to be in the shoes. They like to scuff up the floors and walk around in high-heeled shoes that are too big for them, all over the house.
The high-heeled shoe is a marvellously contradictory item; it brings a woman to a man's height but makes sure she cannot keep up with him.
It's like there's something very maternal about Wonder Woman: when push comes to shove, if nobody else wants to do it, Wonder Woman would step up and take care of business. But she doesn't want to do it, and she would never take any delight in it. That's Wonder Woman to me.
I respond to women who have their stuff together, who are in charge, who don't need men to do things for them. I want a woman to have her own thing, you know? My wife is very smart. She's got a doctorate degree; she's got her own career going. She doesn't need me to take care of her.
Men in all societies possess the biological equipment to remove their hats or shoes, but it is the birth within a particular culture that decides that a Jew will keep his hat and shoes on in his place of worship, a Mohammedan will take off his shoes, and a Christian will keep his shoes on but remove his hat.
I hate to shop. I consider it one of life's necessary evils, like brussels sprouts and high-heeled shoes.
When the leaves rustle, they sound very much like the stealthy movement of a woman in evening dress, and when they shiver suddenly, and fall, and scatter away along the ground, they might be the patter of a woman’s hurrying footsteps, and the mark in the gravel the imprint of a high-heeled shoe.
When what we see catches us off guard, and when we write it as realistically and openly as possible, it offers hope. You look around and say, Wow, there's that same mockingbird; there's that woman in the red hat again. The woman in the red hat is about hope because she's in it up to her neck, too, yet every day she puts on that crazy red hat and walks to town.
Noah's daughter is different from the girls of 'Suburgatory.' She goes to Brown, so she's in college, and she's very smart. And his wife is very much a very strong woman. She's certainly in charge at his house. She's Dallas's polar opposite.
I'll never forget my high school acting teacher, Anthony Abeson, who said, "It starts with the shoes." When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them? If I'm going to put on a dress for a role - I don't care if it's the hardest dress to put on - I have to put the shoes on first. The physicality leads me to the character.
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