A Quote by George Bernard Shaw

Most of my recent plays were written in the railway train between Hatfield and Kings Cross. I write anywhere, on the top of omnibuses or wherever I may be; it is all the same to me.
I can write anywhere. I write in airports. I write on airplanes. I've written in the back seats of taxis. I write in hotel rooms. I love hotel rooms. I just write wherever I am whenever I need to write.
...the long train ride was like traveling through limbo. You weren't anywhere when you were on a train, she decided. You weren't where you had been, and you weren't yet where you were going. You were nowhere. It might be beautiful outside the window-and it was, she had sense enough to realize that-but it wasn't anywhere to her, just a scene passing by that was framed by the train window. (p160)
I think I'm a narcoleptic. I could sleep on a railway track with a train running over me, in-between the rails.
I was my class playwright and I wrote plays set in villages with kings and chiefs.My plays were about treason and betrayals. If they were influenced by Macbeth, they were also influenced by Nigerian plays I had seen and Village Headmaster, a television drama series I had watched as a child.
If you cross the Atlantic with an American lady you invariably fall in love with her before the journey is over. Travel with the same woman in a railway car for twelve hours, and you will have written her down in your own mind in quite other language than that of love.
[After viewing the Palace of Electricity at the 1900 Trocadero Exposition in Paris] [Saint-Gaudens and Matthew Arnold] felt a railway train as power; yet they, and all other artists, constantly complained that the power embodied in a railway train could never be embodied in art. All the steam in the world could not, like the Virgin, build Chartres.
Other people’s words are so important. And then without warning they stop being important, along with all those words of yours that their words prompted you to write. Much of the excitement of a new novel lies in the repudiation of the one written before. Other people’s words are the bridge you use to cross from where you were to wherever you’re going.
The people of this country remember me. I may have started dyeing my beard, but I am recognized at airports, railway stations - anywhere. School textbooks have chapters on me, and somehow the sobriquet 'The Flying Sikh' has endured in people's memory.
Well, I hate it when authors come into a school and they say to kids, 'Write from your heart, only write what you know, and write from your heart.' I hate that because it's useless. I've written over 300 books - not one was written from my heart. Not one. They were all written for an audience, they were all written to entertain a certain audience.
At most, I may write when I am disturbed by something. I have recently discovered the pleasure of finding written answers to written questions.
Man's endeavour to cross even the most difficult terrain with railway lines has produced some of the most stunning marvels of engineering of the modern age.
Before you ridicule, remember somebody on a railway platform who seems to be train spotting may actually be writing poetry.
My '60s plays were as good as most of the other plays I've written ... except I wasn't in a condition to refine them, to help in the rehearsal, or do anything. I was hardly conscious of what was going on except during the hours of the day when I was actually writing ... and that was with the aid of speed.
I traveled to many countries when I played. But wherever I went, it was a journey between an airport, a hotel, a stadium and a railway station or a bus terminal and I didn't have a chance to experience these places properly.
When I write, I normally write anywhere that I can feel at peace, so if it's in my bedroom, if it's at the park, if it's by a lake somewhere, wherever I feel calm is where I like to write.
I love to travel, anywhere in the world. Wherever it is... India... Tibet... wherever. I'll go anywhere.
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