A Quote by George Bernard Shaw
Sherlock Holmes was a drug addict without a single amiable trait.
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Arthur Conan Doyle had to be Sherlock Holmes in order to envision how Sherlock Holmes would unravel a mystery. He had to be in Sherlock's situations. As a writer, you have to be of two minds.
Isnt it lovely to know that even the great Sherlock Holmes, the quirky and genius Sherlock Holmes, is vulnerable to love as we all are?
Isn't it lovely to know that even the great Sherlock Holmes, the quirky and genius Sherlock Holmes, is vulnerable to love as we all are?
I've done 33 Sherlock Holmes stories and bits of them are all right. But the definitive Sherlock Holmes is really in everyone's head. No actor can fit into that category because every reader has his own ideal.
As a complete score, I love 'Sherlock Holmes' - but we cast it badly. We put Ron Moody into the part - a great Fagin, not a great Sherlock Holmes.
I love Sherlock Holmes. I've got all his books, leather-bound. What I thought was great about Sherlock Holmes was that not only was he a supersleuth, he was also a hard worker. Not only did he go out and solve the crimes, he came home and wrote it all down. Fantastic. That's why I admire him.
To me, the Sherlock Holmes stories are about a great friendship. Without Watson, Holmes might well have burnt out on cocaine long ago. I hope the series shows how important friendship is.
I remember when I was a kid, I loved Sherlock Holmes. I thought Arthur Conan Doyle was one of the greatest writers, because I felt I knew Sherlock Holmes. He existed to me. When I went to England the first thing I did was go to Baker Street to look for his house. I think you've got to try to make all of your characters as empathetic and realistic as possible.
Hans Zimmer and I considered 'Sherlock Holmes: A Game Of Shadows' to be a steampunk genre; our inspiration came from Sherlock's own travels.
Like all Holmes' reasoning, the thing seemed simplicity itself when it was once explained. Dr. Watson, speaking of Sherlock Holmes.
I read two mysteries a day when I was a kid. All of Agatha Christie, all of 'Sherlock Holmes.' I've seen every single British detective show ever made.
The story of Sherlock Holmes, on the surface, is about detection, but in reality, it's about the best of two men who save each other - a lost, washed-up war hero and a man who could end up committing murders instead of solving them. They come together. They become this perfect unit. They become the best friendship ever, and they become heroes. That's what we fall in love with, not Sherlock on his own. No one can love that man on his own, but Sherlock Holmes and Dr. Watson - the best friends ever.
The book that influenced me most is Sherlock Holmes, which teaches you the way to deal with reality: to deduct. It teaches you to put together the signs. For example, I look at a person and I see their coat, their jacket, their handwriting, their iPhone, and I am able to deduct some details about who they are, what they wear, and what they do. For many years I was fascinated with Sherlock Holmes. The series trained me to look at the world through these sharp, unforgiving eyes.
Any of us are capable of doing things we're not proud of under the wrong kind of stresses. Anyone can become a drug addict if you let yourself do it and, once you become a drug addict, you'll do whatever you have to to get the drugs. Absolutely, anybody can do it.
The interesting thing about Sherlock is that he is himself a reflection of that very English duality. As a drug addict, he is a criminal. But he is also a crime fighter. That makes him an extremely potent character to personify the hypocrisy of a culture that is both moralistic and corrupt.
So many of the great detectives that we see on television now owe their origins to Sherlock Holmes. What was very exciting about Rob's pitch and script was that he is a real Holmes-ian expert. He knew all of the mythology. He was very well-versed in the genesis of Holmes and the stories. And the twist with Watson is something we jumped at immediately. It's a very forward-thinking way of doing the show.
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