A Quote by George Bernard Shaw

We don't bother much about dress and manners in England, because as a nation we don't dress well and we've no manners. — © George Bernard Shaw
We don't bother much about dress and manners in England, because as a nation we don't dress well and we've no manners.
It's not polite to refuse to dress for a parly. It's an insult to your hostess. After all, correct dress is a part of good manners.
Manners are of such great consequence to the novelist that any kind will do. Bad manners are better than no manners at all, and because we are losing our customary manners, we are probably overly conscious of them; this seems to be a condition that produces writers.
Manners are the root, laws only the trunk and branches. Manners are the archetypes of laws. Manners are laws in their infancy; laws are manners fully grown,--or, manners are children, which, when they grow up, become laws.
A modest, godly woman will dress modestly. . . The one who is simple and unpretending in her dress and in her manners shows that she understands that a true woman is characterized by moral worth.
Objectively, class differences in accent, dress, manners, and general style of life are very much smaller; and one cannot, strolling about the street or travelling on a train, instantly identify a person's social background as one can in England. Subjectively, social relations are more natural and egalitarian, and less marked by deference, submissiveness, or snobbery, as one quickly discovers from the cab-driver, the barman, the air-hostess and the drug-store assistant.
Laws are always unstable unless they are founded on the manners of a nation; and manners are the only durable and resisting power in a people.
The difference of language, dress, and manners . . . severs and alienates the nations of the globe.
Wearing the correct dress for any occasion is a matter of good manners.
Architecture, like dress, is an exercise in good manners, and good manners involve the habit of skillful insincerity - the habit of saying "good morning" to those whose mornings you would rather blight, and of passing the butter to those you would rather starve.
There used to be an art form called the 'comedy of manners.' Why aren't comedies of manners made now in this country? The answer is simple. We no longer have manners to speak of.
Yes, but also one of the problems for a novelist in Ireland is the fact that there are no formal manners. I mean some people have beautiful manners but there's no kind of agreed form of manners.
As soon as a woman begins to dress "loud," her manners and conversation partake of the same element.
Good manners are appreciated as much as bad manners are abhorred.
This is another thing which I really like investigating in my novels: what is it that makes an intimate society, that makes a society in which moral concern for others will be possible? Part of that I think are manners and ritual. We tried to get rid of manners, we tried to abolish manners in the '60s. Manners were very, very old-fashioned and un-cool. And of course we didn't realise that manners are the building blocks of proper moral relationships between people.
Simplicity is the base of everything. At the end of the day if you feel good about yourself, you don't need anything. You don't have to depend on the power of a dress to dress you up. You wear dress the dress, it's not the opposite. It's not only a designer, it's not only just fashion, it's a philosophy. It's a lifestyle.
The expressive word "quiet" defines the dress, manners, bow, and even physiognomy of every true denizen of St. James and Bond street.
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