A Quote by George Bernard Shaw

Of all human struggles there is none so treacherous and remorseless as the struggle between the artist man and the mother woman. — © George Bernard Shaw
Of all human struggles there is none so treacherous and remorseless as the struggle between the artist man and the mother woman.
The struggle to avert catastrophic climate change is bigger than all the other struggles, whether it is slavery, democracy struggles, the woman's right to vote, and so on I would argue that if what is at stake is securing life as we know it, then there can be no bigger struggle that we face.
The female struggle implies the black struggle, it implies the struggle with anti-Semitism, it implies all of the other struggles. That is the only possible way to think about human liberation.
And ain't I a woman? Look at me! Look at my arm! I have ploughed and planted, and gathered into barns, and no man could head me! And ain't I a woman? I could work as much and eat as much as a man - when I could get it - and bear the lash as well! And ain't I a woman? I have borne thirteen children, and seen most all sold off to slavery, and when I cried out with my mother's grief, none but Jesus heard me! And ain't I a woman?
I have different hats; I'm a mother, I'm a woman, I'm a human being, I'm an artist and hopefully I'm an advocate. All of those plates are things I spin all the time.
There is a strange kind of human being in whom there is an eternal struggle between body and soul, animal and god, for dominance. In all great men this mixture is striking, and in none more so than in Wolfgang Amadeus Mozart.
Just as the world war is no white man's war, but every man's war, so is the struggle for woman suffrage no white woman's struggle, but every woman's struggle.
flirtation ... is a graceful salute to sex, a small impermanent spark between one human being and another, between a man and a woman not in need of fire.
Friendship can exist between persons of different sexes, without any coarse or sensual feelings; yet a woman always looks upon a man as a man, and so a man will look upon a woman as a woman.
The course of human history consists of a series of encounters between individual human beings and God in which each man and woman or child, in turn, is challenged by God to make his free choice between doing God's will and refusing to do it.
I am very much a woman, but I never consider that I am when I go and make films. I don't check into the world as a woman everyday. I check in first as an artist and mother, then as a daughter sister, and friend - but always as an artist.
Look at the newborn baby. It struggles to breathe after living in the womb. And yet, growth comes as a result of struggle. Even when we talk about jihad. We need to attach consciousness to struggle. This struggle has to be both individual and collective.
Under this window in stormy weather I marry this man and woman together; Let none but Him who rules the thunder Put this man and woman asunder.
I struggle sometimes superficially with my management or with my own career about how much time I spend traveling or giving myself away to promote my music or myself when I'd rather be gardening or surfing or being at home with my loved ones. And everyone struggles with that; everyone struggles with having to go to work. And I struggle with how humankind ended up this way.
The woman who needs to create works of art is born with a kind of psychic tension in her which drives her unmercifully to find a way to balance, to make herself whole. Every human being has this need: in the artist it is mandatory. Unable to fulfill it, he goes mad. But when the artist is a woman she fulfills it at the expense of herself as a woman.
All history has been a history of class struggles, of struggles between exploited and exploiting, between dominated and dominating classes at various stages of social development.
There's only one thing in life for a woman; it's to be a mother... A woman artist must be... capable of making primary sacrifices.
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