A Quote by George Bernard Shaw

The fact is that the intrinsic worth of the book, play or whatever the author is trying to sell is the least, last factor in the the whole transaction. — © George Bernard Shaw
The fact is that the intrinsic worth of the book, play or whatever the author is trying to sell is the least, last factor in the the whole transaction.
A presentation copy...is a copy of a book whoch does not sell, sent you by the author, with his foolish autograph at the beginning of it; for which, if a stranger, he only demands your friendship; if a brother author, he expects from you a book of yours, which does not sell, in return.
When you sell a man a book you don't sell just twelve ounces of paper and ink and glue - you sell him a whole new life. Love and friendship and humour and ships at sea by night - there's all heaven and earth in a book, a real book.
The fact that schools can actually be a major factor in cementing the world is a factor that's worth considering, the fact that we all have a shared human identity in addition to many other identities.
No one really knows the value of book tours. Whether or not they're good ideas, or if they improve book sales. I happen to think the author is the last person you'd want to talk to about a book. They hate it by that point; they've already moved on to a new lover. Besides, the author never knows what the book is about anyway.
The power to distinguish between person and performance and to communicate intrinsic worth flows naturally out of our own sense of intrinsic worth.
There's always a slight tension when you sell a book to Hollywood, especially a nonfiction book. The author wants his story told intact; the nonfiction author wants it told accurately.
When you sell a man a book, you don't sell him 12 ounces of paper and ink and glue - you sell him a whole new life.
The way a book is read, which is to say, the qualities a reader brings to a book can have as much to do with its worth as anything the author puts into it.
As history proves abundantly, mathematical achievement, whatever its intrinsic worth, is the most enduring of all.
If anything is worth trying at all, it's worth trying at least 10 times.
As an author, you can't expect a movie to be an illustration of the book. If that's what you hope for, you shouldn't sell the rights.
What my whole object was is not to really sell records. I was trying to sell songs.
There's a book that I read, really a great book - it's called 'Lone Survivor' and I think they're trying to make it into a movie. I would love to play Marcus Luttrell, who was the author and the 'lone survivor.' He's a national hero; he's very courageous and heroic in insurmountable danger, so it's something I'd love to explore.
When a goat likes a book, the whole book is gone, and the meaning has to go find an author again.
The object of the novelist is to keep the reader entirely oblivious of the fact that the author exists - even of the fact he is reading a book.
In the kingdom of ends everything has either a price or a dignity. Whatever has a price can be replaced by something else as its equivalent; on the other hand, whatever is above all price, and therefore admits of no equivalent, has a dignity. But that which constitutes the condition under which alone something can be an end in itself does not have mere relative worth, i.e., price, but an intrinsic worth, i.e., a dignity.
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