A Quote by George Bernard Shaw
While we ourselves are the living graves of murdered animals, how can we expect any ideal living conditions on this earth?
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The butcher with his bloody apron incites bloodshed, murder. Why not? From cutting the throat of a young calf to cutting the throats of our brothers and sisters is but a step. While we ourselves are living graves of murdered animals, how can we expect any ideal conditions on the earth?
We are the living graves of murdered beasts.
We are the living graves of murdered beasts, slaughtered to satisfy our appetites. How can we hope in this world to attain the peace we say we are so anxious for?
I believe that the best way to create good living conditions for any animal, whether it's a captive animal living in a zoo, a farm animal or a pet, is to base animal welfare programs on the core emotion systems in the brain. My theory is that the environment animals live in should activate their positive emotions as much as possible, and not activate their negative emotions any more than necessary. If we get the animal's emotions rights, we will have fewer problem behaviors... All animals and people have the same core emotion systems in the brain.
I recognize now that the conditions that Indians are living in are the conditions that poor people everywhere are living in.
If you have ever seen the movie Night of the Living Dead, you have a rough idea how modern corporations and organizations operate, with projects and proposals that everybody thought were killed constantly rising from their graves to stagger back into meetings and eat the brains of the living.
The earth is not a mere fragment of dead history, stratum upon stratum like the leaves of a book, to be studied by geologists and antiquaries chiefly, but living poetry like the leaves of a tree, which precede flowers and fruit ~ not a fossil earth, but a living earth; compared with whose great central life all animal and vegetable life is merely parasitic. Its throes will heave our exuviæ from their graves ... You may melt your metals and cast them into the most beautiful moulds you can; they will never excite me like the forms which this molten earth flows out into.
A man builds a house in England with the expectation of living in it and leaving it to his children; while we shed our houses in America as easily as a snail does his shell. We live a while in Boston, and then a while in New York, and then, perhaps, turn up at Cincinnati. Scarcely any body with us is living where they expect to live and die. The man that dies in the house he was born in is a wonder. There is something pleasant in the permanence and repose of the English family estate, which we, in America, know very little of.
Longing for the ideal while criticizing the real is evidence of immaturity. On the other hand, settling for the real without striving for the ideal is complacency. Maturity is living with the tension.
I love animals; I've always loved animals. It's how I identified myself for so long, but I didn't know that in so many ways, I was living my life not in alignment with that. And once I learned about those ways I could be loving animals better, I made those changes, which made me happier and had me living a life that had me contributing.
I don’t care how old I live! I just want to be living while I am living!
Storytelling is not what I do for a living - it is how I do all that I do while I am living.
We have to learn to face our fears and push ourselves. If you're living on earth and you're not living on the edge, you're taking up too much room. When you push past the fear and realize that what you feared was not a big deal, you gain more confidence.
If you are living for an ideal and driving yourself as hard as you can to be perfect - at your job or as a mother or as a perfect wife - you lose the natural, slow rythmn of life. There's a rushing, trying to attain the ideal; the slower pace of the beat of the earth, the state where you simply are, is forgotten
Wisdom is the art of living skillfully in whatever actual conditions we find ourselves.
My family moved to the Philippines when I was 14. While living there, I learned that my mom grew up very poor. Seeing that kind of abject poverty firsthand during my travels deeply shaped my life. Seeing those living conditions motivated me to want to tell inspiring stories of struggle and triumph.
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