A Quote by George Blagden

Everyone at drama school called me Musical Boy. — © George Blagden
Everyone at drama school called me Musical Boy.
I went to drama school and, after that, went to Paris to train at a place called Ecole Philippe Gaulier. When I came home, I realised I'd have to have a serious stab at it. I didn't have an agent and didn't have the traditional drama school showcase, so I started a comedy group with a couple of friends.
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
When I was a freshman in high school, my drama teacher, an incredible, inspirational genius, the guy who got me into acting, he encouraged me to get the lead in a musical. They didn't have any guys.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
I'd always wanted to go to drama school. My life plan was to get into drama school and become an actor, but it took me three years.
Right when 'High School Musical' was taking off, one of my little cousins called and was really excited to tell me there was a huge 'I Hate Zac Efron' club at her school. I'm sure they're doing great. More power to them.
I was acting since I was a kid, going to drama classes and being involved in every school play and musical that I could get my hands on, so it was something that was a part of me from a very early age.
The Indian bowlers picked me for sledging when I was batting well. They called me school boy. But I was enjoying it and I had answered it with my bat.
I went to an ordinary primary school, and then I started performing in a show called 'Billy Elliot' on the West End, and that was sort of my drama school.
I never went to drama school, but I was really lucky in that both my junior school and secondary school had brilliant drama departments.
There's a joke about the balloon boy who has a balloon mum and a balloon dad and he goes to a balloon school with balloon friends ad a balloon principal. And one day, the balloon boy decides to take a pin to his balloon school, which is, of course, a disaster. And he's called into the balloon principal's office, and the balloon principal tells him, 'You've let me down, you've let your school down, you've let your parents down, you've let your friends down. But most importantly you've let yourself down'.
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
I started studying theater in school, and then I got into drama school at, like, 19, and it was a national drama school in Montreal, and so it was just you and nine other students for three years, and it was really intense.
I went to drama school but soon realised I was terrible at acting, so I ditched drama school for art school.
I don't know if I was popular in high school. My school was actually not really clique-y, which was nice. I went to a very artsy school, so everyone was kind of friends with each other. I was trying to be popular more, like, in junior high and elementary school and dealt with all that backstabbing and drama.
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