A Quote by George Blagden
Sometimes it's hard, when you start engaging with people on the Internet, to forget that, actually, we really don't know one another... that's something I need to learn a lot more.
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Jazz sometimes can be really complicated and inaccessible to people because they don't know what to start with. You can start with something that you love, but if you start with something that you hate, then it's like, 'You know what, I hate jazz.' It took me a lot of time to catch on to jazz, too.
I've read something that Bill Gates said about six months ago. He said, ‘I worked really, really hard in my 20s.’ And I know what he means, because I worked really, really hard in my 20s too. Literally, you know, 7 days a week, a lot of hours every day. And it actually is a wonderful thing to do, because you can get a lot done. But you can't do it forever, and you don't want to do it forever, and you have to come up with ways of figuring out what the most important things are and working with other people even more.
We played around and improvised a ton [in The Hangover], and I think it's hard to say at this point what's what. Gosh, I wouldn't even know how to take a stab at it. The script was so good that we really didn't need to improvise very much, but I think we just found a lot of moments on the set. It's really cool when you get onto the set of a movie and you start shooting the scenes and you start to actually incorporate the environment.
Starting is hard so I really need to give myself permission to do a bad job. I always give myself leave to write total nonsense for as long as I need to release the pressure, because it's really hard to start if you feel like that first sentence you write has to actually mean something.
It's a funny thing, I think people meet us and they assume that we know a lot more about politics than we actually do. People will really get into it. I'm like, I don't really know a lot about tariff reform or export trade reform. That's really not something I know about.
It's a despicable world we're living in now. It's the most disgusting time for music in terms of big wigs, guys who like playing the game. It's hard to get your stuff heard. I find it really annoying actually. I think my music would appeal to a lot of people but being on Warp in the States it's really hard to get radio play and exposure. We need to push this internet revolution forward quickly.
The problem for a lot of people is that they don't really know what they want. They have vague desire: to 'do something creative' or to earn more money or 'to be free', but they can't really pin down what it is precisely that they want.
So they drift from one thing to another, enjoying some moments and hating others, but never really finding fulfillment or success. (..)
This is why it's hard to lead a successful life (whatever that means to you) when you don't know what you want.
I think any start has to be a false start because really there’s no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it’s really a false start is when you start … it’s hard to put into words.
I live in New York and there are a lot of famous... pizzerias in my neighborhood, it's really hard to find one that isn't famous. Which sucks sometimes, you know what I mean, sometimes I don't want all that glitz and glamour, I just want something delicious, you know? I don't need a celebrity in my mouth, Ray's Up And Coming Pizza would be fine.
More and more, and especially over the last two decades, we've found out how many conspiracies there actually are. We really don't know the exact truth about a lot of things. We know there are big things going on involving huge companies and industries, whether it's money involved or oil or things in their own country, but there are personal interests at play and it's a very well woven network that's hard to break down. Sometimes it is hard, for us, to know who is telling the truth.
I'm really nervous, because it's actually happening. You forget after a while when you start talking about something that it's actually going to happen.
Peace is something that we can bring about if we can actually learn to wake up a bit more as individuals and a lot more as a species; if we can learn to be fully what we actually already are; to reside in the inherent potential of what is possible for us, being human.
The only thing I know that makes me feel comfortable is to know as much as I can. Not like what the shots are going to be, but knowing enough about my character that I can forget those things. And more specifically, my lines. I have to know my lines. I have to know something really well, so I can forget it when we're doing it. And there is comfort in knowing, "Okay, there's not another stone that I could have overturned."
It hasn't always been easy. There's a lot of hard moments. Sometimes you learn from the end of the bench. Sometimes you learn from injuries. Sometimes you learn the most through the hard things. If you can keep a good attitude and keep on working, eventually situations change, and you can put those things to use.
Let me tell you what would be a really, really great project for all of us. Why don't we start mentoring kids? Whether we're liberal or conservative, why don't we start going into the schools and giving the kids a sense of their own purpose, their own self-worth, their future, and what they can learn from us? You know, if we're mentoring kids together, we might actually begin to talk to one another again and listen to one another. We have a big crisis all over the country and in our state on drugs.
It's through working with a lot of first-time directors that I realized that people learn on their feet. Everybody works on something for a different reason. Everybody has got something new to learn on these sets, and you don't have to know everything, the second you start.
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