A Quote by George Blanda
Back when I was playing I enjoyed studying films, looking for new trends in the game and examining the new players who came along.
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I came back from the World Cup and then started playing for Mumbai again. My game was the same because even in New Zealand, we played the One-day format.
When I came to Mumbai, it was very difficult. I enjoyed every bit of it, but it was so new, and life was very different - new people and new home.
Back when I first came up with the Twins as a second baseman, Billy worked with me on my fielding, on playing the game, on being heads-up, hustling, always doing my best, not alibiing. And when he was the Twins' manager, I enjoyed playing for him.
I went to Europe in '52 or '53, and when I came back, I stopped in New York. I remember looking out of a window on a glorious October morning and there was New York. And I thought, 'I'm coming here. This is for me.'
When the internet came along, everybody said it would mean the death of television, newspapers. There is a dip, and it comes back to a new normal. We're in the dip; we're waiting to see what the new normal is.
I don't know concretely if it's due to superstition, but any time a new rule is implemented into the NBA or a new piece of equipment or a new technology, there is always a transition and adjustment period by players and coaches and anyone involved with the game.
Football was just the playing I enjoyed at first, but the longer you're playing the more it becomes a social event. You meet new people and make new friends. I still know some of the people I played with when I was 11-years-old, which is nice.
Retiring from cricket is not about form. I feel that the time is now and it's right. I've tried to give everything I have when I've played the game, the game goes on. You can't hold onto it and people shouldn't be too sentimental. I think a lot better players and greater players have gone, and the game has gone on and there are new players who take the mantle, and in my case it won't be any different.
Writing for UrbanMoms has awarded me a multitude of amazing opportunities. I have traveled to new places; alone and with my family. I have discovered new products, new books, new trends and new restaurants, and been able to share them with my readers. I've met other wonderful writers and many incredible celebrities.
It's been a long time since we've been out there playing new material, and we have really enjoyed that. Of course we still enjoy playing the Yes standards as well, but it's great to have a bit of a challenge and pull off new material.
I always thought it's not that the greatest players in the world come from New York. It's just the guys who shouldn't have made it, they came from New York. That's what makes New York special.
I, myself, came to enjoy the players who didn't only just swing but who invented new rhythmic patterns, along with new melodic concepts. And those people are: Art Tatum, Bud Powell, Max Roach, Sonny Rollins, Lester Young, Dizzy Gillespie and Charles Parker, who is the greatest genius of all to me because he changed the whole era around.
I think that films or indeed any art work should be made in a way that they are infinitely viewable; so that you could go back to it time and time again, not necessarily immediately but over a space of time, and see new things in it, or new ways of looking at it.
I've been studying, playing, living, breathing poker for eight to nine hours a day. Every day! When I'm between events and in New York, I'm reading, watching videos or live-streaming very good players.
Every time I make a new game, I put all of my effort completely into that game. It's like putting all your effort into a new child that's being born. Once the project is done, I can step back and look at it objectively, which is when I can see a lot of flaws. That's when I start to make a new game that tries to fix some of those flaws.
I grew up not really listening to guitar players. Especially when I was studying music, I was just interested in piano players and arrangers and composers; I came to playing in a band from the perspective of someone who never expected to play guitar in a band.
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