A Quote by George Brandis

I've never been one of those people, who subscribe to this notion that the book is dead. — © George Brandis
I've never been one of those people, who subscribe to this notion that the book is dead.
I have never been one of those who cares about happiness. Happiness is a strange notion. I am just not made for it. It has never been a goal of mine; I do not think in those terms.
Perhaps no other book has been denounced so vigorously by those who have never read it as has the Book of Mormon.
I subscribe to the theory that reading a book is similar to walking a trail, and I'm most comfortable walking when I can see where I'm going and where I've been. When I'm reading a printed book, the weight of the pages I've turned gives me a sense of how far I've come.
Stop watering things that were never meant to grow in your life. Water what works, what's good, what's right. Stop playing around with those dead bones and stuff you can't fix, its over...leave it alone! You're coming into a season of greatness. If you water what's alive and divine, you will see harvest like you've never seen before. Stop wasting water on dead issues, dead relationships, dead people, a dead past. No matter how much you water concrete, you can't grow a garden.
El Santo's movies were kind of out there, but Mil Mascaras did the more reality-based type sci-fi movies. You could say he was one of the first to open the notion for those that subscribe to the mentality that this is sports-entertainment.
Tokyopop's been extraordinary. They approached me to do My Dead Girlfriend - Julie Taylor, one of the senior editors was a huge fan of The O.C. - asked if I'd be interested in creating a book for Tokyopop. My Dead Girlfriend was the book we all agreed upon as being the one that I would do first, and they've just embraced it completely.
This book was written in those long hours I spent waiting for my wife to get dressed to go out. And if she had never gotten dressed at all this book would never have been written.
The Book of Mormon was written for us today. God is the author of the book. It is a record of a fallen people, compiled by inspired men for our blessing today. Those people never had the book. It was meant for us.
In essence I'm really a very traditional writer. I subscribe to the notion that, ultimately, characters do drive everything else.
I don't happen to subscribe to the notion that everybody who criticizes Tom Daschle is criticizing Tim Johnson. I think that's a bit of a stretch.
I think we never become really and genuinely our entire and honest selves until we are dead--and not then until we have been dead years and years. People ought to start dead, and they would be honest so much earlier.
Growing up, I wasn't allowed dolls, and my brothers weren't allowed guns. I inherited my brothers' clothes. I was never dressed in pink, and they were never dressed in blue; there were none of those rules that people still bizarrely subscribe to.
I have been lucky with writers. None have been real trouble. Some I never met. Some I meet only after the book is finished, and some, the easiest to get along with, are the dead ones. Most become friends.
They remain dead, the people I try to resuscitate by straining to hear what they say. But the illusion is not pointless, or not quite, even if the reader knows all this better than I do. One thing a book tries to do, beneath the disguise of words and causes and clothes and grief, is show the skeleton and the skeleton dust to come. The author too, like those of whom he speaks, is dead.
If you subscribe to the notion of God as being separate from you, than you will always be lost, because you can't even trust in your own untrustworthiness.
My earliest, most impactful encounter with a book was when I was seven and awoke early on Christmas morning to find Roald Dahl's 'Charlie and the Chocolate Factory' in my stocking. I had never been so excited by the sight of a book - and have possibly never been since!
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