A Quote by George Burns

With the collapse of vaudeville new talent has no place to stink. — © George Burns
With the collapse of vaudeville new talent has no place to stink.
If critics say your work stinks it's because they want it to stink and they can make it stink by scaring you into conformity with their comfortable little standards. Standards so low that they can no longer be considered "dangerous" but set in place in their compartmental understandings.
We're still in the collapse that began after 2008. There's not a new collapse, there hasn't been a recovery.
A United States collapse would be much different than a Greece collapse. Greece can collapse, and there's a ripple. We collapse, and the world feels it.
There were a great many in vaudeville - people who never quite came through. But they had their place, and they filled it. They kept theatres open. Those pan-timers, those interstate-timers, those four-a-dayers, those six-a-dayers - they were an integral part of that endearing merry-go-round called vaudeville.
Vaudeville could not vouch for the honesty, the integrity, or the mentality of the individuals who collectively made up the horde the medium embraced. All the human race demands of its members is that they be born. That is all vaudeville demanded. You just had to be born. You could be ignorant and be a star. You could be a moron and be wealthy. The elements that went to make up vaudeville were combed from the jungles, the four corners of the world, the intelligentsia and the subnormal.
Milton took vaudeville, which, if you look up 'vaudeville' in the dictionary, right alongside of it, it says 'Milton Berle' - and he made it just a tremendous party.
Theres no stink more sorrorful than the stink of wet, burnt paper. It means: the end.
I've seen people who stink, but the film editor shows them just where they didn't stink. But if you're empty and manipulative on stage, it's clear.
If Martin Scorsese thinks you stink, you stink.
Talent for talent's sake is a bauble and a show. Talent working with joy in the cause of universal truth lifts the possessor to new power as a benefactor.
Every orchestra I know, every opera house I know, is desperately looking around trying to find new talent, new composing talent, supporting young composers, supporting new ideas, supporting new ways of getting the message across.
For me, my preference for comedy is grounding it in the psychology of the character, and not just kind of making faces. Even when it's a crazy character, grounded comedy resonates more with people because it doesn't look like you're watching someone do vaudeville. No offense to vaudeville.
Don't stink up the place with bad acting, if an opportunity comes your way.
Everyone has talent. What is rare is the courage to follow the talent to the dark place where it leads.
Ultimately, the law will collapse under its own weight. Until then, we have to start building a better health care system in its place. And we need to start with a new principle: Put the patient in the driver's seat. That's how we can build a healthy economy.
Don't be too precious or attached to anything you write. Let things be malleable. For sketch writers, remember they're called sketches for a reason. They're not called oil paintings. Some of them are going to stink. You have to let them stink.
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