A Quote by George Burns

From Paris we took the Orient Express to Vienna. I must say I was terribly disappointed; nobody was murdered on the train. — © George Burns
From Paris we took the Orient Express to Vienna. I must say I was terribly disappointed; nobody was murdered on the train.
I saw this train driver and said, 'I wanna go to Paris.' He said, 'Eurostar?' I said, 'Well I've been on telly but I'm no Dean Martin.' Mind you, at least the Eurostar's comfy. It's murder on the Orient Express isn't it?
The climate suits me, and London has the greatest serious music that you can hear any day of the week in the world - you think it's going to be Vienna or Paris or somewhere, but if you go to Vienna or Paris and say, 'Let's hear some good music', there isn't any.
The first proper mystery novel that I read was 'Murder On the Orient Express' with a gaunt David Niven and a cherubic Peter Ustinov on the cover. 'Orient Express,' you'll recall, is the one where everyone did it, which delighted me no end, and I was immediately hooked.
My idea was to go to Vienna to study conducting and perhaps play in an orchestra first, so I thought before I got to Vienna I could do with a little training in Paris.
Jesus-murdered. Martin Luther King-murdered. Gandhi-murdered. Malcolm X-murdered. Reagan-wounded.
[The biographer] must be as ruthless as a board meeting smelling out embezzlement, as suspicious as a secret agent riding the Simplon-Orient Express, as cold-eyed as a pawnbroker viewing a leaky concertina.
I've never had a mentor. I've always wanted one. I'm actually really disappointed that nobody took my under their wing.
My parents came a long time ago to Vienna, met in Vienna. Of course they had to go through a lot also, but we're very happy to have our home in Vienna.
The Orient and Islam have a kind of extrareal, phenomenologically reduced status that puts them out of reach of everyone except the Western expert. From the beginning of Western speculation about the Orient, the one thing th orient could not do was to represent itself. Evidence of the Orient was credible only after it had passed through and been made firm by the refining fire of the Orientalist’s work.
I have the feeling that I was born in Vienna in order to live in Paris.
Your fate is writ clear;you will be murdered. I cannot conceive how it comes about that you were not murdered long since! How odd!Charles himself once said that to me, or something like it! There is nothing odd in it; any sensible man must say it!
You need some reason why Beethoven, Mozart and Haydn in the 18th century all flocked to Vienna. What was it about Vienna? They must have known on some level that that is where they would flourish. It's what biologists call "selective migration."
I was 16. In the middle of the night, I took a taxi to the Detroit train station - or maybe it was the Pontiac train station? - and got on a train to Chicago, then transferred to a train to San Diego where my boyfriend was living at the time.
I must learn to express the gentle vibration of things: the intrinsically rough texture. I must find this expression in drawings; in the way in which I draw my nudes here in Paris, more original and at the same time sensitively observed.
There's a place in you that you must keep inviolate. You must keep it pristine. Clean. So that nobody has a right to curse you or treat you badly. Nobody. No mother, father, no wife, no husband, no­­­-nobody. You have to have a place where you say: 'Stop it. Back up. Don't you know I'm a child of God?
The Orient that appears in Orientalism, then, is a system of representations framed by a whole set of forces that brought the Orient into Western learning, Western consciousness, and later, Western empire.... The Orient is the stage on which the whole East is confined. On this stage will appear the figures whose role it is to represent the larger whole from which they emenate. The Orient then seems to be, not an unlimited extension beyond the familiar European world, but rather a closed field, a theatrical stage affixed to Europe.
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