A Quote by George Burns
Being an actor is easy, just picture someone in a room and you outside waiting for your cue to go in. Elliot Gould's been trying that for forty years.
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I also had Elliot Gould and Martin Short and Nasim Pedrad - let alone Zack Pearlman who is going to be a huge star, as is Seaton Smith - out there and I love writing for them and just sitting back and watching them be excellent. And when you are sitting across from Elliott Gould sharing a scene it just raises your game.
So, it's not gonna be easy. It's gonna be really hard. We're gonna have to work at this every day, but I want to do that because I want you. I want all of you, forever, you and me, every day. Will you do something for me, please? Just picture your life for me? Thirty years from now, forty years from now? What's it look like? If it's with him- go. Go! I lost you once, I think I can do it again, if I thought that's what you really wanted. But don't you take the easy way out.
It's easy to make a cue last a lifetime. Don't boil it or freeze it in the trunk of a car. Don't lean it against a wall for years. If you lose a game to a complete idiot, hit the edge of the table in anger with something other than your cue.
Years go by Will I still be waiting For somebody else to understand Years go by If I'm stripped of my beauty And the orange clouds Raining in head Years go by Will I choke on my tears Till finally there is nothing left One more casualty You know we're too easy Easy Easy
I didn't get married until I was forty because I wanted to be stable when I got married. I think I just avoided my first marriage and went right to the second. It's sort of how I see it. When you're young, just trying to make it, and trying to find your way in the world, and figure things out... being married is not easy.
I am above eighty years old; it is about time for me to be going. I have been forty years a slave and forty years free and would be here forty years more to have equal rights for all.
It was as though we were a picture, trapped in time: this had been happening for hundreds of years, people sitting in a room, waiting for dinner, and listening to the blues.
There's just a feeling, when you're just an actor - I have great admiration for people who are just actors. I don't understand it, the idea of waiting to get cast, being at the whim of others. I find it incredibly powerless and frightening, so that's why I've been constantly trying to create my own content.
Virginity is now a mere preamble or waiting room to be got out of as soon as possible; it is without significance. Old age is similarly a waiting room, where you go after life's over and wait for cancer or a stroke. The years before and after the menstrual years are vestigial: the only meaningful condition left to women is that of fruitfulness.
In all the years I've been playing, I've never considered changing my cue. It was the first cue I ever bought, aged 13, picked from a cabinet in a Dunfermline snooker centre just because I liked the Rex Williams signature on it. I saved £40 to buy it. It's a cheap bit of wood, and it's been the butt of other players' jokes for ages.
[Kyle Chandler] taught me how to listen very well and reacting. There's a lot of improv. And to be able to do that on the spot you really have to be in tune with what the other person is saying instead of just waiting for your cue line or waiting for a word for you to deliver your next line.
I hate the waiting room. Because it's called the waiting room, there's no chance of not waiting. It's built, designed, and intended for waiting. Why would they take you right away when they've got this room all set up?
It's an interesting thing when you're casting a film - especially when you're trying to discover someone - you're waiting for someone to step into the room in an audition process and claim the role.
Sometimes I want to just pull the off switch, but you can't because if you go outside, you have to give people your all. You can't say, 'Oh, you know what? I'm not feeling good today.' No. No one's trying to hear that. When a woman comes up to you and says, 'Hey, my daughter's your biggest fan. Can we have a picture?' You can't say no.
Sometimes I want to just pull the off switch, but you can't because if you go outside, you have to give people your all. You can't say, 'Oh, you know what? I'm not feeling good today.' No. No one's trying to hear that. When a woman comes up to you and says, 'Hey, my daughter's your biggest fan. Can we have a picture?' - you can't say no.
Whether you are someone who has been working for many years, or someone just starting down that path, or someone who is still studying, your journey to financial well-being is not far from where you are now.
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