A Quote by George C. Scott

Acting is characterization, the process of two entities merging-the actor and the role. — © George C. Scott
Acting is characterization, the process of two entities merging-the actor and the role.
In art and life we're always reading bodies and behaviors (and skies and skylines or whatever), constructing brief and shifting coherences, and I guess I want to capture that process of characterization and re-characterization instead of offering up a few stable, easily-summarized individuals.
The Divide is like two rivers merging, at the point of merging there is a great deal of activity. The sunset, it's neither dark nor light, and the sunrises are the moments of transition.
I believed there were no Hypotheticals in the sense of consciously acting agents - conscious entities. There was only the process. The needles of evolution, endlessly knitting.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
The fact of the matter is that an actor, if I'm playing a performance capture role and you're playing a live action role and we're having a scene together, there's no difference in our acting processes.
I'm always trying to find that role that will allow me to stretch and play a lot of different sides, but it's hard. To be frank, as an actor, I read maybe a hundred scripts a year and I really strongly respond to probably two, but every other actor in town responds to those two scripts, as well. It's hard to land those roles that are really good because they're coveted. That's why I try to create for myself, and that's why I've been doing things outside of acting, like writing and producing. I try to not have to depend on other people so much.
Acting is a symbiotic process, it is an amalgamation of many many things put together and when there is a call for action, that's when you surrender and the moment of truth comes out, that's when you perform. That is the process for every good actor.
The process of acting, not necessarily the business of acting, but the actual doing of it in the moment is my greatest kind of personal passion, the thing that brings me alive the most. Also, my two children.
Acting is something I did when I was a kid. I do act sometimes in friends' projects, but when I do, it's just for fun. It is actually a hobby for me now. I do still love stage acting, but the day-to-day process of being an actor is so exhausting and so taxing.
Very occasionally I hire an actor and get it wrong. The actor just doesn't trust the process or me as fully as I thought they would. In this case, you can be quite sure that if an actor is untrusting, it's got nothing to do with me or the process.
My general view is that best actor best suited to role should get the job. Obviously when it comes to colour and issues of ethnicity the choice is clear. But I do not believe you have to be transgender or have undergone sex reassignment surgery to be able play a character who has.Acting is acting after all.
There are two main jobs in acting - the first one is to be a good actor, and the second one is to convince everyone that you're a good actor.
I don't have one specific dream role: I'm an actor, so I want to play everything. In this business, they'll pigeonhole you in two seconds if you're great at the role you play. Everyone assumes that you're really just like that character.
For me, it doesn't matter what kind of role I am doing. I just enjoy the process of acting and filmmaking.
When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instructions. Anyone with the physical qualifications can do that. So the director's task is just that – to direct, to point the way. Then the actor takes over. And he must be allowed the space, the freedom to express himself in the role. Without that space, an actor is no more than an unthinking robot with a chest-full of push-buttons.
Characterization is not divorced from plot, not a coat of paint you slap on after the structure of events is already built. Rather characterization is inseparable from plot.
This site uses cookies to ensure you get the best experience. More info...
Got it!