A Quote by George C. Wolfe
Producing has empowered me as an artist in a specific way. It's forced a certain kind of maturity.
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To call yourself a Chinese artist or woman artist or African artist reflects a certain kind of condition. To me, that is not necessary.
The Internet has empowered us. It has empowered you, it has empowered me, and it has empowered some other guys as well.
Paintings don't just happen. I am not a proponent of the idea of an artist as someone who kind of magically makes things and has no real control or isn't willfully producing a certain kind of thing. It is labor-intensive, and it is research-intensive. You are making one decision after another, trying to get at something you think is important.
I grew up going to school and high school and then shooting a movie for a few months. It's an odd way to grow up and is kind of forced maturity.
There's a system in place in Nashville, and for a long time, I was trapped in this idea that the only way to do it was to come to town, get a record deal, and do it the way they say. And that system works. But it caters to a specific kind of artist, and I didn't necessarily fit that mold.
The idea of using media for expressing yourself artistically is kind of something I learned from my mother and my father. So for me, I think growing up wanting to be an artist, I always imagined myself sort of crossing over or mixing media and so it was a natural evolution for me to try to express in a filmic way or in a visual way. It just kind of seems like a natural sort of progression for me in terms of what I'm trying to do as an artist.
I do think that dread is about a certain kind of expectation. And the fact that a picture can never resolve itself the way a movie can - maybe that's a specific kind of dread that becomes associated with a picture.
I look a certain way. I have a very specific kind of look.
There is a certain kind of maturity that can be attained only through the discipline of suffering.
So - our readiness to meet and defeat this kind of possible attack is forced upon us, both as a potent preventive of actual war and to insure survival in event of attack. This alertness to danger has to be translated into specific policies and activities in the several parts of the world where our rights - our way of life - can be seriously damaged. Work of this kind occupies my days and nights.
I wanted to know how much of conversion was forced - that is, forced in the sense that the Inquisition forced people to choose - forced Jews, let's say, and Muslims to choose conversion to Christianity or death. I wanted to see how much of conversion historically was forced in that way and how much of it was really a kind of persuasion.
I'm a recording artist, a performing artist and a producing artist. All those things have everything to do with the outcome of my shows. I get myself studying every part of the game and not everyone has the characteristic to do that. In my mind, you need all three to become an artist.
When you're in a very specific kind of wardrobe, it kind of dictates your movement; it also kind of enables you - or, I guess, disables you - from certain kinds of movement.
I think you should never be forced to be nice as an artist. An artist has to be uncomfortable in a way. Narcissistic and uncomfortable.
Suddenly this camera, this thing, allowed me to move around the world in a certain kind of way, with a certain kind of purpose. (On receiving a camera for her twenty-first birthday)
I can't point to a single person or incident that changed my life, but the recognition that there is a certain world order, has been consequential. It has empowered me to do things my way. I found an inner truth by which I abide.
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