A Quote by George C. Wolfe

If you have the talent and passion and commitment, you shouldn't be locked out of the room. — © George C. Wolfe
If you have the talent and passion and commitment, you shouldn't be locked out of the room.
David Roberts, who is a writer at Vox who I like, had a line about the voter - your voters weren`t locked in the room with you, Republican establishment. You were locked in the room with them.
Everyone has doors in the living room of their lives that they assume are locked. Doors that lead to artistic expression. People say "I have no talent -- I can't dance or sing or paint or write poetry or play an instrument." More often than not the doors are not locked, just closed. One may turn the handle, open the door and pass through into a larger life space.
In life there is nothing more common than talent and intelligence. What is missing is passion, persistence, commitment, and dedication.
A locked-room problem lies at the heart of my new novel, 'In The Morning I'll Be Gone,' in which an RUC detective has to find out whether a publican's daughter who fell off a table in a bar that was locked from the inside was in fact murdered.
Talent is the discipline, commitment, and willpower to practice/train/study often, long, and hard. Discover your passion and pay the price.
Passion doesn't create commitment; commitment creates passion. To what are you committed?
Pain is like a new room in your house that you never knew you had. If you had known, you would have bolted and locked the room past any entering. But truly, it is a room like any other, four glaring white walls and a dark hard floor, and if you don't try to get out, it is possible to remain in it. Once you tried to get out, you ... couldn't ... stand ... it. Don't think of getting out.
Listen, there's an expiration date for everything, but I mean, we're not burning out on 'Top Models,' are we? We're not burning out on making things in a 'Runway' room, are we? We're not getting enough 'Got Talent,' right? We'll never run out of talent. So, how could there be a 'Drag' burnout?
As far as being an actor is concerned, you have to have passion. If you're not bringing the passion of the character into the room with you, you might as well not come into the room at all.
It takes getting the right talent. It takes a lot of patience. It takes investment and passion and commitment and entrepreneurial spirit, and everyone in the organization must buy into that.
To this day, I've never figured out a single locked-room mystery.
our unconscious reactions come out of a locked room, and we can't look inside that room. but with experience we become expert at using our behavior and our training to interpret - and decode - what lies behind our snap judgment and first impressions.
When a locked-room mystery doesn't work, the solution makes you groan, and the book gets hurled across the room.
I admire people who overcome obstacles or who have to commit - I've always really admired commitment, whether it be a commitment to living or a commitment to love. People who commit to a moment. People who are not somewhere else, but in the room with you.
We go into rural communities and all we do, like has been done in this room, is create the space. When these girls sit, you unlock intelligence, you unlock passion, you unlock commitment, you unlock focus, you unlock great leaders.
I would never tie in creative with a talent's contract. To me, that is insanity. Creative needs change, talents evolve or not, and to be locked in to a talent having the ability to not run the plays that the team dictates is not smart business.
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