A Quote by George C. Wolfe
I viewed black musicals before 'Jelly' as a form of cultural strip mining. The exterior remained, but all the culture that signified where the people had come from and their connection to the earth was absent.
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What strip mining is to nature the art market has become to culture.
What a shame that Christianity had come here!If the white man had not intruded where he was not wanted, where he did not belong, even now protected by the mountains and the river,the village would have remained a last stronghold of a culture which was almost gone.Mark tried to say that no village,no culture can remain static. I have often thought that if this lively and magnificent land belongs to anyone,it's to the birds and the fish.They were here long before the first Indian and when the last man is gone from the Earth,it will be theirs again.
We accept it as normal that people who have never been on the land, who have no history or connection to the country, may legally secure the right to come in and, by the very nature of their enterprises, leave in their wake a cultural and physical landscape utterly transformed and desecrated. What's more, in granting such mining concessions, often initially for trivial sums to speculators from distant cities, companies cobbled together with less history than my dog, the government places no cultural or market value on the land itself.
I was raised in a completely black world. In those days, if a white woman married a black man, she lived as a black woman, and that was just the end of it. So, I don't have a feeling of being bi-racial. I don't have a connection to it. People often come up to me thinking I do have a connection to it, and I kind of let them down because I really don't.
Actually we've had a black bourgeoisie or the makings of a black bourgeoisie for many more decades.In a sense the quest for the emancipation of black people in the US has always been a quest for economic liberation which means to a certain extent that the rise of black middle class would be inevitable. What I think is different today is the lack of political connection between the black middle class and the increasing numbers of black people who are more impoverished than ever before.
My mental boundaries expanded when I viewed the Earth against a black and uninviting vacuum, yet my country's rich traditions had conditioned me to look beyond man-made boundaries and prejudices. One does not have to undertake a space flight to come by this feeling.
The core of the culture is racism and how black men are viewed. They've always been demonized and seen as threats in our culture. Another holdover from slavery. We've got to deal with that core root of racism and demonization of the upbringing of black men. Black women are not exempt by any means.
If white privilege is a thing, why are people working so hard to be black? All of the award shows and cultural events favor black culture.
It must not be thought that it is ever possible to reach the interior earth by any perseverance in mining: both because the exterior earth is too thick, in comparison with human strength; and especially because of the intermediate waters, which would gush forth with greater impetus, the deeper the place in which their veins were first opened; and which would drown all miners.
'Smart Funny and Black' is basically a live black pop culture game show that I created. We have a live band. We have two contestants that we call 'blacksperts.' They come on stage and compete in games that I've created that test their knowledge of black culture, black history, and the black experience.
People always say 'You do racial comedy.' And I don't, exactly. I do cultural comedy. Because race and culture are two different things. There's black people from America and then there's black people from Africa. Racially, they're the same; culturally, they're extremely different.
Good design is not about form following function. It is function with cultural content. By adding "cultural content" to the concept of "form follows function," objects cease to be finite or predictable. Maybe the right way to interpret the dictum is to first acknowledge that the function needs to be clearly understood before the form is considered.
Museums just seem to have this borrowed cachet—if I want to seem cultural, I will design something cultural. I resist the idea that culture is only opera houses or theatres. Culture is your entire life around you: toilets, the bus, the kerb or the dump where you drag your waste. Culture has come to mean the arts, but it’s swimming pools as well.
Today, a large part of Peru's revenues come from mining. Many big mining companies only pay income tax, but they extract minerals, they pollute the water. They don't give any form of compensation to the regions where those minerals are extracted and where they do the damage, forcing the state to help those regions. What my party Gana Peru is stating is that the mining companies will have to pay that compensation. That is called a royalty.
South Korea at the end of the Second World War had a very low level of literacy. But suddenly, like in Japan, they determined they were going in that direction. In 20 years' time, they had transformed themselves. So when people go on saying that it's all because of perennial culture, which you cannot change, that's not the way the South Korean economy was viewed before the war ended. But again within 30 years, people went on saying there's an ancient culture in Korea that has been pro-education, which is true.
What I think is different today is the lack of political connection between the black middle class and the increasing numbers of black people who are more impoverished than ever before.
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