A Quote by George C. Wolfe
Growing up in the South, I was raised to be a Negro boy. I was acutely aware how other people perceived me, and that informed my behavior. That worked for a period of time, but it could also be suffocating.
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The black experience, which has nothing to do with my play 'Angels in America,' allowed me to understand the Mormon character. He was the character that couldn't come out to his mother. It allowed me to understand emotional and closeted behavior, because you're so acutely aware of how you're perceived.
The other thing Aron found about sensitive people is that sometimes they're highly empathic. It's as if they have thinner boundaries separating them from other people's emotions and from the tragedies and cruelties of the world. They tend to have unusually strong consciences. ... they're acutely aware of the consequences of a lapse in their own behavior.
I feel acutely aware of how young I am. In a way that is good. It's productive. It makes me realise that I should be growing as a writer and a person.
I feel like I'm a New Yorker to the bone. But there is a lot of the South in me. I know there is a lot of the South in my mannerisms. There's a lot of the South in my expectations of other people and how people treat each other. There's a lot of the South in the way I speak, but it could never be home.
But I stuttered as a kid. I went to classes to help it, and it just went away around fourth grade, when I became more aware of how others spoke, I think. But also, growing up in the South, a mumble is a way of speaking.
For example, you now look at pictures from 1968, they are hugely misleading in terms of standing in as an absolute image of the time. Because maybe two percent of the people looked the way that we now associate with that time. I was also aware that what I was aiming for is an idealized, utopian version of how people could be together. I found photography to be a very powerful tool because as long as it looks real, it is perceived as real.
I was a guinea pig for some hoodlums who thought they could hurt me and frighten me and keep other Negro entertainers from the South.
I think I was always able to laugh a lot at the industry - to be detached from it, even if some of the other models weren't. Jeez - it's hardly rocket science, is it? It's not as if you can get to be a better model..... .you can either get away with it, or you cant? And most of them were also acutely aware of the passage of time.....and how it would affect their careers.
I was always shy. Writing was my only outlet. Because I always hid in a room, I spent a lot of time watching people. When I was a small child I could detect hidden body language in others only I could see. People's emotions rub off on me. When I told this to my therapist she said, "Well, you're an empath." I thought, "No way. Like Star Trek?" And she clarified: because I am so socially uncomfortable, I have compassion for others who I recognize are also struggling. People with anxiety are acutely aware.
For me, growing up in a ridiculously poor family living in dead-end neighborhoods, Superman was a deeply personal icon, one that said you can do anything if you put your mind to it. What he stood for formed the core of who I wanted to be as I grew up, and informed how I view the world and my responsibilities to other people.
We cannot avoid the globalization of knowledge and information. When I was a boy growing up in Kansas, I could never think about a Buddhist, or a Hindu, or Muslim, or even a Protestant - I grew up in such a Catholic ghetto. That's not possible anymore, unless you live in a cave or something. So either we have knowledge of what the other religions and other denominations are saying, and how they tie into the common thread, or we end up just being dangerously ignorant of other people and therefore prejudiced.
How can my old photographs fail to create in me a feeling of emptiness and sorrow? They make me acutely aware that this second deprivation will be final this time.
I do think that when you're specifically working in a country like South Africa, you have to be able to be aware of the cultural truth of what people are raised in and believe in and how they function within their society.
The only way I see the world now is through coming out of and growing up and living in Somalia. In the time of war, everyone was basically trying to live and manage the best they could. But you also had another period which was not a hard time at all - it was just a beautiful time. I lived in both eras.
Growing up biracial and speaking four languages - French, Chinese, Portuguese, and English - gave me a different lens. I was always very acutely aware of coming from a different perspective. I think that definitely contributed to what I chose to do with my life.
I think that the first book that made me think that I could try to be a writer - or that made me aware that a young black woman from the South could write about the South - was Alice Walker's 'The Color Purple,' which I read for the first time when I was in junior high.
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