A Quote by George C. Wolfe
When I came to New York, I told everyone I was a writer/director, and they said, 'No.' There was a rule. You could be one or the other. They ordained me writer. But then I won the Obie for directing 'Spunk,' and the rules changed.
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Truth be told, I didn't want to be on T.V. I was going to be a writer or producer or a director, and at the end of my sophomore year, my department chairman put me up for a job doing weekend weather in Syracuse, New York.
Directing was easy for me because I was a writer director and did all my directing when I wrote the screenplay.
I've been a writer for years, but it was mainly as a function of trying to be a director, so I just got work as a writer. I want to keep directing.
I love being a writer-director. I couldn't imagine directing without writing it. You have to write and tell your stories - that's what directing is to me.
I did a play in New York at the public theater, a Shakespeare play, and M. Night Shyamalan, who is the writer/director of 'The Village,' came and saw me in the play and asked to go to lunch afterwards.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
It seems to me that you are better off, as a writer and as an American, in a small town than you'd be in New York. I thoroughly detest New York, though I have to go there very often.... Have you ever noticed that no American writer of any consequence lives in Manhattan? Dreiser tried it (after many years in the Bronx), but finally moved to California.
I have come to understand myself as more of a New York writer, or more of a woman writer, but I don't feel like that while I'm writing. But I think that most New Yorkers would object to calling me a New Yorker. I didn't grow up here.
I'm fairly competant as a director and actor, but I am Mr. Neurotic as a writer. I just don't have enough confidence in my abilities to take criticism well. I take it personally. Start with 'It's a masterpiece,' and then tell me what you think could be changed.
I don't like to work with directors who have taken an adoption from another script writer, because it's too much: one of them writes it and then has to explain it to the other, or maybe the director sees it in a way the writer doesn't want it.
As an actor you can always blame the director or writer for negative feedback. But as a writer, you're the reason why everyone's in the room.
I knew I wanted to be a writer. Where I came from, no one was a writer. I came from Long Island, and everyone became a doctor or a lawyer or an engineer or a teacher or a businessman. I didn't know any writers.
A guy came up to me in the park and asked if I wanted to buy his CD. I said sure. He got panicked and told me he didn't actually have a CD, and he started crying and then told me he never made it and he's really sorry and called me 'Ralph.' New York's a really weird place.
I'm not a sketch writer. I know what I am: I have a sensitive comedic sensibility. What turns me on is subtle neurosis. That's my game. I'm not an action writer or a thriller writer and I'm not a sketch writer. I don't pretend to be those things. Then it would not be fun. Then you are in a space where this is painful.
Some of the things I love the most are when a writer or a visionary takes on sort of an iconic character and then spins it. Like with Frank Miller, Batman was this one thing for basically forty years, and then Frank Miller came along and said he can also be this other thing. And Christopher Nolan came along and said he can also be this other thing. The idea of taking iconic comic book characters or superhero characters or mythic characters and subverting the genre or coming up with a new idea is something that's really interesting to me.
I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.
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