A Quote by George C. Wolfe
I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well.
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What I find is really interesting is the Ear-Nose-Throat doctor thing, which I know would take a lot of work and education, but it's something that really interests me, because it's something that helps people who've had the same problems as me, with the whole hearing and nose congestion and problems with your voice.
I felt really lucky in that I've gotten to know some of my favorite artists; I get to tell them how important they are to me. But that doesn't always make me want to work with people. I feel like if I'm going to work with somebody, it's because I feel like I actually have something to add to them.
As I say, there's something that scares the hell out of me but it really makes me work hard in losing myself. I'm not really interested in me as an actor or being a personality player, or a Hollywood star. What's given to me is to become different people and to find the truth of that. That is really what I do.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
I try to be a good person every day. If you didn't like me, there would be something wrong with you, because I really go out and work as hard as I can to help people. I put myself last - always. I'm a giver all the way.
I don't think I've ever tried to be something that I'm not. People do that for you. People try to pigeonhole you. People tried typecasting me, before they even saw me in anything else. I've never understood that. I was like, "Why don't you wait until my next project, before you start telling my what my career is going to look like, for the next 10 years?" I've never let it set me back because I always knew the world would try to do that for me, anyway.
Working out for me is something I do when I feel like it. But it's really about feeling good and taking care of my body rather than having to fit into any sort of model or anything like that. I try to eat well, and everything I do is really just to make me feel my best so that I can come to my job or my personal life and just feel really good.
Now, all writing - all the arts - are a form of 'Pay attention to me,' but there's also the flip side. Like, I want to give something. Let me entertain you, let me amuse you, let me try to please you with this thing I've made. And then pay attention to me.
I feel so fortunate, Because some people think, well you're just relegated to the sideline. But I feel valued there. They trust me. We work very, very hard at making it worthwhile. We are not going to just be down there spewing a bunch of blah. With our halftime talking to the coaches we are really trying to get something meaningful there and something that helps spin the game forward.
If I didn't work as hard as I could, then I think it would be a bit like saying, 'God, thanks for giving me this ability, but I don't really care about it. I'm going to do something else, and I'm not going to work quite as hard.
A lot of people are just really confused by me; they don’t know what to think of me, so they try to compartmentalize me or diminish me. Maybe they just feel unsafe. But any time you have an overtly emotional or irrational, negative reaction to something, you’re fearing something that it’s bringing up in you.
You try to go with something that's familiar to people and that way they can jump on board with what you're trying to do basically. I only mimic people that really have like interesting voices because it's really hard to mimic like someone who just talks regularly like me like there's nothing fun about that.
I love YA, and it's been a really good fit for me. But at some point, I would like to try something else: a collection of short stories, or writing about something other than high school. A lot has happened to me since I was eighteen.
I love YA, and it's been a really good fit for me. But at some point, I would like to try something else: a collection of short stories, or writing about something other than high school. A
lot has happened to me since I was eighteen.
I think one of the things that might distinguish me is when I'm going to work as an actor I really try not to worry about my own personal hang-ups and just really concentrate on the work. Because I have such a respect for acting, which is something I feel like I'm constantly learning how to do, that all of my energy is always focused on the acting itself.
The most I've ever done was twenty-something, but that's wasn't because I wanted to. I feel like to me it's usually somewhere between two and- no, it's very hard to say because it really depends up on the shot, you know? If it's a complicated master shot and you know that this is the only thing that you're doing for that scene, a complicated one-er, you're going to maybe end up doing a few more takes than you normally would. But I'm not a big believer in doing tons and tons and tons of takes.
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