A Quote by George C. Wolfe

'You Gotta Have Heart' is one of the most ridiculously perfect, amazing musical comedy songs ever. — © George C. Wolfe
'You Gotta Have Heart' is one of the most ridiculously perfect, amazing musical comedy songs ever.
I love musical theater so much. When done right, I think comedy songs can be the most efficient form of joke delivery. Songs can be the most efficient and the best forms of conveying emotion. Music is universal. It's worldwide.
I do think musical-theater actors can get a bad rap, and I see why. There is a certain slickness - there's nothing better than an amazing musical, but an okay musical can be one of the worst times you've ever had.
My grandfather was one of the most amazing Baptist ministers in history, he was unbelievable. He was one of the most amazing men - the most amazing man that I ever met... He lived an amazing life.
And what could be a hotter ticket than the improbable triumph of 'The Book of Mormon,' the musical-comedy moon shot of the season? Its creators, Matt Stone and Trey Parker, of Comedy Central's 'South Park,' are the most unlikely Rodgers and Hammerstein team ever to bowl a thundering strike.
I think you've gotta be smart enough to be competent, but you've gotta be crazy enough to go out there and just let it all happen. I mean, you can rehearse and still not be musical, be tight and not be musical; we all hated that.
I heard there were two local guys in town doing songs and comedy so I thought I'd take a look....they took my breath away...with their music, comedy, and showmanship.... 'Dakaboom'.. is the genuine article! Two voices in perfect harmony, and with joyful abandon and humor, they take you on a magical, musical, modern day vaudeville tour!! Ben McLain and Paul Peglar are headed for stardom. They are unique, they are original, and they are known as 'Dakaboom.' Don't miss 'em 'cause you're in for a treat!
To me, the musical is best when it's a musical comedy. So if you have a very, very funny show, and very good, funny songs, that's what the musical does best.
My background is in musical comedy. I didn't know I was going to be an actor. But all my points of reference have to do with musical comedy and in being kind of a showoff.
At one point when I was very young, when I was first starting out, I thought, 'Well, one day I'll be able to put all the music away and become a real comedian.' But then I realized there are amazing musical comedians out there, that musical comedy is probably something I'll always want to pursue.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
Any musical person who has never heard a Negro congregation under the spell of religious fervor sing these old songs has missed one of the most thrilling emotions which the human heart may experience.
Female artists I love the most are Fiona Apple, Paramour and Regina Spektor - those girls that really write amazing songs themselves, and they're younger and cool. I'm not quite sure I could ever write songs like any of them, but if I could, I would.
The thing that makes you a good 'Caraoke Showdown' singer is you gotta have some knowledge of these songs. You gotta be ready to attack. You gotta shut your brain off and just go.
For me, when you are talking about perfect songs, you're talking about Gershwin, 'Someone To Watch Over Me.' Or Larry Hart and Richard Rodgers. Or some of the great Cole Porter songs, whether it's 'Night and Day' or some of the comedy songs. Or Irving Berlin, of course.
Whether it's animated, whether it's live-action, whether it's Broadway, whether it's television, a musical is a musical is a musical. So, pretty much you approach the songs in pretty much the same way. The difference might be that in a film you have a close up. On stage you don't. So there are more songs on the stage because the songs are kind of the close up.
So far as musical pedagogy is concerned - And by extension of musical creation - Nadia Boulanger is the most influential person who ever lived
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