A Quote by George Carlin

I don't own a camera, so I travel with a police sketch artist. — © George Carlin
I don't own a camera, so I travel with a police sketch artist.
THING TO TRY: If you are asked to describe a suspect to a police sketch artist, describe in precise detail, the features of the police sketch artist. This is one of the rare instances where two people can do one self-portrait.
Did you know Richard Nixon is the only president whose formal portrait was painted by a police sketch artist?
When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
The camera for an artist is just another tool. It is no more mechanical than a violin if you analyze it. Beyond the rudiments, it is up to the artist to create art, not the camera.
The camera has a mind of its own--its own point of view. Then the human bearer of time stumbles into the camera's gaze--the camera's domain of pristine space hitherto untraversed is now contaminated by human temporality. Intrusion occurs, but the camera remains transfixed by its object. It doesn't care. The camera has no human fears.
Most thoughtful people would agree that morality in the absence of policing is somehow more truly moral than the kind of false morality that vanishes as soon as the police go on strike or the spy camera is switched off, whether the spy camera is a real one monitored in the police station or an imaginary one in heaven.
How I wished I'd have had a camera of my own, a mad mental camera that could register pictorial shots, of the photographic artist himself prowling about for his ultimate shot - an epic in itself. (On the road with Robert Frank, 1958)
If you wanna be an artist carry sketch pad with you, and sketch everything you see. Get so you can draw anything and it looks like what it's supposed to be. It's a lot of work, but if you really have it in you, it's not like work. It becomes fun.
I don't think the sketch on its own is a great sketch.
For the artist who practises photography, capturing the image is learning how to sketch on some medium, but is only half the challenge; learning how to print is applying a subjective pallet to that sketch, and completes the creative process.
I never travel without my sketch book.
I don't understand it and haven't understood in this world of technology: where every building has a camera, every ATM has a camera, why don't we have cameras on police officers?
I feel like an artist often turns the camera on themselves and on their own families to understand who they are.
The use of the camera has always been for me a tool of investigation, a reason to travel, to not mind my own business, and often to get into trouble.
For me, the camera is a sketch book, an instrument of intuition and spontaneity.
The gummy bears tattoo was my idea. It's my son's favorite candy. The sketch was my other son's idea. It's a self-portrait of himself. I just showed the artist his sketch and had him tattoo it on my forearm. It looks like a stick person with big hair. It's pretty funny.
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