A Quote by George Carlin
In TV today, you can say I pricked my finger, but you can't say it the other way around.
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When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.
[Grandfather] would manufacture funnies with Grandmother before she died about how he was in love with other women who were not her. She knew it was only funnies because she would laugh in volumes. 'Anna,' he would say, 'I am going to marry that one with the pink hat.' And she would say, 'To whom are you going to marry her?' And he would say, 'To me.' I would laugh very much in the back seat, and she would say to him, 'But you are no priest.' And he would say, 'I am today.' And she would say, 'Today you believe in God?' And he would say, 'Today I believe in love.
Oh wow, you know what's wrong with all these families on TV? All these kids say stuff no kid would say. Stuff grown-ups want them to say. Man, I'd make a really realistic family. Where kids get spankings. On TV parents say, 'Oh, you shouldn't do that ever again. Now you can have ice cream.' Forget it.
I am constantly visible in TV shows because anybody who is thinking of a role sees me performing on TV and may say, 'Why not him?' That way I am always in the limelight. It's better than running around for good roles. I can't lobby for roles.
My kids always say to me, 'Can we watch TV?' I say, 'Absolutely!' because then I can get something done. But then they say, and I wait for it, 'But can you watch with us?' My moment of freedom vanishes. So not only do I not think TV's that great and I hate sitting in front of it, but I have to with them.
I like looking at the finger of God. Why it takes one and not another, why this one or that one, why now or why then. The finger of God is always on us. When you get older and you see your friends dying around you, you say "Why not me?" That machine is always there.
People always say, "What do you want to do next, what kind of movie do you want to do next?" And I say, "I wanna do whatever script that is the best one that comes my way." I certainly would never say, "Oh, I'm gonna do a Western next," and sit around waitin' for a Western to come along when there's some other genre's brilliant script sitting right there.
A lot of the stuff that I say doesn't even make TV because it gets cut out. So if you're at the live events you get to hear what I have to say, but if you're watching on TV, you're only getting about 50% of it.
Now, Marlon and I - for some reason, even today - even today, we can't say two words to each other. We really can't talk to each other. You know, I say to him - Marlon can't talk. I mean, he'd talk to you. But he can't talk.
The actual communicative value of what we say is usually quite small. I've lived for times in small, isolated fishing villages, where everyone knows everyone each other and everyone knows what's going on and everyone's watched the same TV programs and, really, there's not a whole lot of new information to convey. But there's still a lot of talking. What's said doesn't seem to matter; that you say it, and who you say it to, and how you say it is what matters.
Some say I do it this way, others say I do it that way, but I say I do it the other way.
Say 'Dodgers' and people know you're talking about baseball. Say 'Braves' and they ask, 'What reservation?' Say 'Reds' and they think of communism. Say 'Padres' and they look around for a priest.
The best way to describe my ability was to say that after the game the other kids would say to me, 'Way to try!'
I'm trying to think of other ones. Oh, yeah, I'd say - somebody would buy something and we'd say, and because you are our hundredth customer today, you get a free paperback.
In other films and TV shows, we might say, "Well, they're just evil." In our show [Daredeval], we're trying to say, "There's bad actions, but not necessarily bad people."
I have no idea how to become successful in children's tv programming today other than to say that whereever you find that rare animal being pursued, insert yourself into its environment; get in the door in any position and work from within.
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