A Quote by George Carlin
But when you're in front of an audience and you make them laugh at a new idea, you're guiding the whole being for the moment. No one is ever more him/herself than when they really laugh. Their defenses are down. It's very Zen-like, that moment. They are completely open, completely themselves when that message hits the brain and the laugh begins. That's when new ideas can be implanted. If a new idea slips in at that moment, it has a chance to grow.
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No one is ever more him/herself than when they really laugh. Their defenses are down. It's very Zen-like, that moment. They are completely open.
The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
Whenever I open a movie, I go secretly to the theater and stand in the back and enjoy the moment. I laugh when people laugh, and when people cry, I laugh.
The skill of a good actor is to make it always seem like you're in that fantastically spontaneous moment. Very often, a stand-up comedian has a different instinct, which is to reinvent. Once you've laid down some material, and made them laugh, you move on and find some new material.
I realized that comedians of the day were operating on jokes and punch lines. The moment you say the punch line, the audience either laughs sincerely or they laugh automatically or they don't laugh. The thing that bothered me was that automatic laugh. I said, that's not real laughter.
A second characteristic of the process which for me is the good life, is that it involves an increasingly tendency to live fully in each moment. I believe it would be evident that for the person who was fully open to his new experience, completely without defensiveness, each moment would be new.
The moment in which you make somebody laugh, you're only doing it to make them laugh and be happy. Then afterward you can be like, 'Oh, I just want the attention. I feel so good that everybody's listening to me and I got the approval that I need.'
I have a very high respect for professional comedians. What they do astonishes me. You have to be really smart and absorb everything, repackage it, bring it back to the person, and make them laugh at themselves. I can make people laugh during my talks because they didn't come to have me make them laugh. It's added value. So my job is way easier than that of a professional comic.
The ultimate objective [of comedy] is to get a laugh, so if you can get a laugh off the fact that you did not get a laugh, then you've kinda saved the moment. Other professions don't have that luxury. You don't want to hear a brain surgeon say, "Man, am I so stupid! I cut on the wrong side of your head!!"
Moment to moment, I'm very much just feeling and trying to synthesize what I'm taking in so it can come out musically. I'll continue to do that. I'm also someone who really likes to push themselves into new situations with new people and try to learn from them. I will be very happy to continue doing that, if people let me.
My parents always got a kick out of my art. I was always able to make them laugh. As I got older, I remember the thrill I got when I graduated from making my classmates laugh to making adults laugh. Kind of a watershed moment.
When you're doing comedy on stage, it's great because you have the audience there and they're like another actor in the scene. You feed off of them, laugh. But in film when everyone's quiet, it's all about timing. But the key to that is to be authentic. Be in the moment, and if you play the moment truthfully, the humor will be there.
When you start to crack open, don't waste a moment gathering your old self up into something like you knew before. Let your new self splash like sunlight into every dark place and laugh and cry and make sounds you never made & thank all that is holy for the gift.
Don't let a single comic moment pass you by; then help the audience get the laughs. Give them permission to laugh by holding for laughter and by letting them know early on what they're in for. In the first few moments, the audience is gathering information, looking at the scenery and costumes. Create a comic moment as soon as you can.
Paying attention at every moment, forms a new relationship to time. In some magical way, by slowing down, you become more efficient, productive, and energetic, focusing without distraction directly on the task in front of you. Not only do you become immersed in the moment, you become that moment.
I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
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