A Quote by George Carlin

Writing is really wonderful art. A lot of this is discovery. A lot of things are lying around waiting to be discovered and that's our job as writers is to just notice them and bring them to life.
My favorite part about being a father is playing toys with them, or watching movies with them, really just playing around with them. They bring a lot of joy in to my life, even when I'm having a bad day. Just to come home and see them smiling brings so much joy to my life.
I had the idea that it would be wonderful to be a physicist or a mathematician maybe 500 years ago around the time of Newton when there were really fundamental things just lying around to be discovered.
I spent a lot of time making music and touring around the country and living the weird life. I was just trying to keep a job and get by. So in a lot of ways, I went through a strange version of film school. So you live through a lot of things, and put them into your work.
What's so exciting and terrifying about the writing process is that it really is an act of exploration and discovery. With all of us, not just writers, there is a sort of knowledge of the other. We have a lot more in common than we realize, and I think writing is really a sustained act of empathy.
I think one of the things the writers' festival does that is very good is that it brings writers from around the world and around the country and locally and puts them all in the one spot together, and that's what a lot of the world's great writers' festivals do.
Writing is not a great profession as a lot of writers proclaim. I write because this is something I can do. Another thing—very often I think a lot of writers write because they have failed to do other things. How many writers can’t drive? A lot. They’re not practical. They are not capable in everyday life.
I deal with a lot of wonderful gay people. I hire a lot of them. I use a lot of them. I respect them. They're terrific. I am good friends with them. But you live your life the way you want to live, and I'll live mine, and I won't stick my nose in yours.
I'm just writing less of my own music lately - I go in and out of phases a lot. Sometimes there are these accidents that just sort of happen, that are kind of waiting around the corner. I guess Modest Mouse was one of them.
You can see things growing up, be inspired by things. Just because they're not around anymore doesn't mean that you can't take those inspirations and bring them to life and bring them to the next generation.
We Sioux spend a lot of time thinking about everyday things which in our minds are mixed up with the spiritual. We see in the world around us many symbols that teach us the meaning of life. We have a saying that the white man sees so little, he must see with only one eye. We see a lot that you no longer notice. You could notice if you wanted to, but you are usually too busy. We Indians live in a world of symbols and images where the spiritual and commonplace are one…We try to understand them not with the head but with the heart
I'm just this committed dilettante. I think what I've found is that I've tried to do a lot of different things in my life and discovered I'm not as good at them as I'd want to be.
I definitely want to have kids. I've grown up around lots of people who were having kids when I knew them, because a lot of them were a lot older than me. And I saw the wonderful change in them.
When thoughts arise, as soon as you sense them heading on the road of desire, bring them right back onto the road of reason. Once they arise, notice them, once you notice them, you can change them. This is the key to turning calamity into fortune, rising from death and returning to life.
I always do a lot of work around characters to make them real people because, oftentimes, they really are a sliver of a person. Even with truly wonderful writers, women characters are there to emote, and they're often incredibly chaste or worthy. Or they're a 'different type of woman', which is the worst.
Life is a lot more interesting if you are interested in the people and the places around you. So, illuminate your little patch of ground, the people that you know, the things that you want to commemorate. Light them up with your art, with your music, with your writing, with whatever it is that you do.
When you are a minority, it's your job to bend, and when you love someone, you really want to make it work. Then you start to realise, 'Oh, I'm bending a lot,' and they're just standing there existing, and I'm bending around them. But you can't blame them: they don't realise it; that's just how they already existed. It's hard.
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