A Quote by George Carlin
I like to control my environment, because I feel if I have my physical space in order, then I'm free to dream. So there is some compulsion involved. But the dividend I get is the freedom to be totally disorderly in my dreamworld.
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The dividend I get [from my compulsion] is the freedom to be totally disorderly in my dreamworld.
There are two types of people: One strives to control his environment, the other strives not to let his environment control him. I like to control my environment, because I feel if I have my physical space in order, then I'm free to dream.
My books and records are arranged according to subject, and within each subject, they're alphabetical by author or artist. The music tapes are alphabetical and the performance tapes are in chronological order.I like to control my environment, because I feel if I have my physical space in order, then I'm free to dream.
I should say here, because some in Washington like to dream up ways to control the Internet, that we don't need to 'control' free speech, we need to control ourselves.
Art is like a stock with a decent return for people in finance, and they get to feel like they are involved with culture, spend time with artists, as part of their dividend.
There are some who apparently feel that the fight for freedom is separate from the Gospel. They express it in several ways, but it generally boils down to this: Just live the gospel; there's no need to get involved in trying to save freedom and the Constitution or stop communism.... Should we counsel the people, 'Just live your religion - there's no need to get involved in the fight for freedom?' No we should not, because our stand for freedom is a most basic part of our religion.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there. So I intentionally don't get involved with arranging stuff or fussing over the sounds and the edits and the beats too much, at least not in the beginning, because I feel like then you can fool yourself that you've got something there, when you might not.
The dream in your heart may be bigger than the environment in which you find yourself. Sometimes you have to get out of that environment to see that dream fulfilled. It’s like planting an oak sapling in a pot. Once it becomes rootbound, its growth is limited. It needs a great space to become a mighty oak. So do you.
I wasn't that into it or that knowledgeable of fashion until I started working on 'True Jackson.' I feel like it was my duty to learn more because people would feel that I should because I'm on the show. So definitely, that made me more involved with fashion, and now I'm a little fashion guru. It's totally out of control.
The thing about California is that it's kind of a dream, and I started to feel like I was living in a dream. I still feel like that. Because of that I think I've been able to realize a lot of things that were just ideas. When I was living in New York City, it's such a rat race, it's so competitive and everything is so concrete and in your face all the time. If you're like, "I'm gonna be a writer!" Everybody's like, "Yeah, you and all the other assholes on the subway." There isn't a lot of space for the detached, free-floating movement of the imagination.
The dream in your heart may be bigger than the environment in which you find yourself. Sometimes you have to get out of that environment in order to see your dream fulfilled.
There are some movies that you feel like doing because of the script. Some because it sounds like fun, some because that's the director you want to work with, some because it's a project that you want to be involved with, and some because you will be paid lots of money. But the bottom line is I must feel like doing it.
I just love to act. I like to get away, totally play a different character, someone you can get really involved in knowing. I've gotten really involved in some characters and written down little summaries of where they live and what their families are like.
If you want to remain totally free, then don't choose. That's where the teaching of choiceless awareness comes in. Why the insistence of the great masters just to be aware and not to choose? Because the moment you choose, you have lost your total freedom, you are left with only a part. But if you remain choiceless, your freedom remains total. So there is only one thing which is totally free and that is choiceless awareness. Everything else is limited.
I don't torture myself. And I do the work because of the pleasure involved. I'm satisfying a compulsion I find nigh-on irresistible. It's not necessarily because of the work itself. I just feel the need for a period of regeneration afterwards. Like leaving a field fallow when you've grazed too much on it. I feel depleted.
Physical pain is problematic because it's very difficult to transcend that. Sometimes you're just in physical pain, and that's a bummer. Even then, there are beautiful things involved in the healing of that. I've experienced some.
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