A Quote by George Carlin
Who decides when the applause should die down? It seems like it's a group decision; everyone begins to say to themselves at the same time, "Well, okay, that's enough of that."
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My favorite thing is to have collectives. Even when it comes to filmmaking as well, filmmaking and music and most art in general, I feel like everyone should have the same say. If you're in a collective, I feel like everyone should have the same say.
A man who wants to die feels angry and full of life and desperate and bored and exhausted, all at the same time; he wants to fight everyone, and he wants to curl up in a ball and hide in a cupboard somewhere. He wants to say sorry to everyone, and he wants everyone to know just how badly they've all let him down.
One of the shocking things when I go back to Canada is they cut off the tall trees - it's sort of like everyone's the same. Everyone's going to be the same, we're all okay. Just the, sort of, cultural, 'We're all okay.'
It sucked, but it was way cool at the same time," Gazzy said. "I felt like the Blue Angels!" "Yeah, except the blue Angels are an extremely well funded, well equipped, well trained, well fed, and no doubt squeaky-clean group of crack navy pilots," I said. "And we're a bunch of unfunded, unequipped, semitrained, not nearly well fed enough, and filthy mongrel avian-human hybrids. But other than that, it's exactly the same.
You can tell by the applause: There's perfunctory applause, there's light applause, and then there's real applause. When it's right, applause sounds like vanilla ice cream with chocolate sauce.
When a plane crashes and some die while others live, a skeptic calls into question God's moral character, saying that he has chosen some to live and others to die on a whim; yet you say it is your moral right to choose whether the child within you should live or die. Does that not sound odd to you? When God decides who should live or die, he is immoral. When you decide who should live or die, it's your moral right.
The script is like music to me. I approach it like it's a musical piece and I hear how it's supposed to sound when people say the words. There's rhythms and there's intonations and things, and so, when somebody comes in and hits the notes that I hear, I go okay. Or, they come close enough, and then I'll say "Well how about you try it like this?" and if they have a good ear and they can pick it up, then I think okay, they've got it.
People say, "Well, we're all just going to die and go to heaven anyway, or Jesus is going to come back" or something. I don't feel like God wants us just to lay down and die just because that's going to happen. I think we should keep trying.
Applause is interesting, but I'm a monster with or without it. Something is either well written or it isn't. 'White Rabbit' is not well written, and no amount of applause or royalties can convince me it is. I could have done a better job with those lyrics. They didn't say what I wanted.
I talk about things in music that I would never talk about with my best friends, which I think seems like a weird thing, but my justification in my head as to why it's okay is because it's cryptic enough and there's enough meat around it to make it all okay and no one can really prove what any of the songs mean.
It seems silly, but it mattered to Gord Downie. I don't know if I necessarily felt like it had to be one or the other, but he really wanted that engagement: "If you think it should be 'the' then tell me why it should be 'the.' " 'Uh, okay, well...' He was really serious.
All the time. A few months ago I came really close to losing it, I was getting really paranoid. And then I started a new job, things fixed themselves. I can't turn my back on the situation and ignore it. If tomorrow I say: "Okay, I've had enough, we're stopping everything" it won't change anything. Might as well try to accept it and stay zen as I have no control over it.
Does that not sound odd to you? When God decides who should live or die, he is immoral, When you decide who should live or die, it's your moral right. There was a pin-drop silence.
Yeah, I like being on my own. I do. I tend to be a loner, so I'm okay. I'm not okay when I have to be around everyone all the time.
Socialists believe otherwise - a man is not competent enough to make decision should he use seatbelt, should he buy insurance, and the same man is competent enough to elect president and government.
You know how it is in the symphony when you are listening to the symphony, the last notes die away, and there's often a beat of silence in the auditorium before the applause begins. It's a very full and pregnant silence. Now theology should bring us to live into that silence, into that pregnant pause.
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