A Quote by George Carlin

Sometimes, after I'd gone at the coke like one of those snow plows moving up First Avenue, I'd think my heart was over on the dresser, pounding, and I was watching it. I asked some of the doctors who drifted through the intensive-care unit what kind of effect total cocaine abuse has on the heart and they said things like, "Well, there's not enough valid information...." That kind of answer.
Bryce," she whispers. "What's wrong." I can barely breathe as I ask her, "Do you like him?" "Do I... you mean Jon?" "Yes!" "Well, sure. He's nice and -" "No, do you like him?" My heart was pounding through my chest as I took her other hand and waited. "Well, no. I mean, not like that...." No! She said no! I didn't care where I was, I didn't care who saw. I wanted, just had to kiss her. I leaned in, closed my eyes, and then...
I was fortunate enough to have gone through the major label process and kind of have the inside scoop on some things, some information I wouldn't have normally had. To go from a major to an independent, I don't think it's an easy transition.
I did cocaine for about a year around the time of Sgt Pepper. Coke and maybe some grass to balance it out. I was never completely crazy with cocaine. I'd been introduced to it and at first it seemed OK, like anything that's new and stimulating. When you start working your way through it, you start thinking: 'Mmm, this is not so cool an idea,' especially when you start getting those terrible comedowns.
There's probably some buried conservative inside of me, coming out like a little gremlin in my belly that I've suppressed. This is a sort of character I've done before: He's kind of dumb and he's kind of arrogant, and a little seedy. A little coke-y. He's gotten into the cocaine or he's had too much coffee. It's been pretty fun. Not all the songs are like that but it sort of creeps in there.
When we look at these historical women and what they've gone through, it's shocking to recognize some of our own experiences in theirs. When you look at someone like Ada Lovelace who is the first computer programmer, during her lifetime doctors said that was really sick because she was trying to use a masculine kind of brain that she didn't have. Today, her legacy of being the first programmer is stil disputed.
Paintings don't just happen. I am not a proponent of the idea of an artist as someone who kind of magically makes things and has no real control or isn't willfully producing a certain kind of thing. It is labor-intensive, and it is research-intensive. You are making one decision after another, trying to get at something you think is important.
Having a kind heart, you care about everybody else. You don't eat everything. Don't be a big. People in the community, be nice. As coaches, we want to see guys develop those kind of things, take those things with them when they leave our programs.
Mayfield said, "You asked what I was thinking. Well, I will tell you. I was thinking that a man like myself, after suffering such a blow as you men have struck on this day, has two distinct paths he might travel in his life. He might walk out into the world with a wounded heart, intent on sharing his mad hatred with every person he passes; or, he might start out anew with an empty heart, and he should take care to fill it up with only proud things from then on, so as to nourish his desolate mind-set and cultivate something positive or new.
I mean, there's an aspect I've always said that is - it's, you know, it's not poetry but it's kind of like it. It's not song lyrics but it's kind of like song lyrics. It's not rap but it's kind of like rap. And it's not stand-up comedy but it is kind of like stand-up comedy. It's all those things together.
I always find it kind of more interesting when people ask questions like, "What were you like as a kid?" Or just kind of personal history stuff, like, "What was the lowest point of your life?" Because that would be like, "Huh, well, I'd have to think about that one." And then give an honest answer. I think a lot of people don't want to give honest answers, or they just are in business showbiz mode when they're talking about stuff, so that's probably why a lot of that kind of thing doesn't get asked.
The reality is that my stepfather was like a father to me and watching him die from a sudden heart attack was one of the hardest things I have ever gone through.
I'm kind of a quirky dresser usually. Like today, I'm actually pretty put together, but I dress kind of off sometimes, but that's just part of my personality.
My heart's pounding like I'm watching Oprah's farewell season.
I've never asked a player if they would sign my shoe. I've certainly had players come up, even before the game has started, and say, "Hey, after the game, can we trade jerseys?" It's kind of like, "Well, let's get through the game first and we'll deal with that later."
I've just completed a five-year period that can perhaps best be called a breathing spell. A time of getting my health back and gathering my strength. That time also included incredible cocaine abuse, a heart attack and my wife's recovery from both alcoholism and cocaine abuse.
I try to structure albums in a pattern, like in a way where there's a motif that runs throughout or some kind of conceit that informs it in a general way. Maybe it's in a harmonic key. I like to go metastructural sometimes, like look at more than the three-minute passage and how that interacts with other pieces. And I've been increasingly interested in false starts and fraudulent beginnings, and things that don't reach their implied conclusions. I take an album and I kind of start moving things around like Jenga.
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