A Quote by George Carlin

There's a thing about cocaine - when I was doing it secretly, it didn't make me very sociable. I forget how others were, but it made me very inner-directed. So being in a sketch and rehearsing and the "hail fellow well met" camaraderie and all that stuff, I couldn't fake that or force that. It was painful.
Whatever made me the way I am left me hollow, empty inside, unable to feel. It doesn't seem like a big deal. I'm quite sure most people fake an awful lot of everyday human contact. I just fake it all. I fake it very well, and the feelings are never there.
I met Scarlett [Johansson] briefly, but Josh [Brolin] and George [Clooney], in particular, were so welcoming and so inclusive and really brought me into the fold from the beginning. They were just very considerate of me, and it meant a lot [shootong Hail, Caesar!].
If I were to try to read, much less answer, all the attacks made on me, this shop might as well be closed for any other business. I do the very best I know how - the very best I can; and I mean to keep doing so until the end. If the end brings me out all right, what's said against me won't amount to anything. If the end brings me out wrong, ten angels swearing I was right would make no difference.
Everything starts with the inner being, your inner self - it all comes from you and we so often forget that. We think, "He made me angry." He didn't make you angry; you made yourself angry. Don't allow him to get to your inner space.
For me, it's really easy to be kind to others when I remember that none of us came into this world with a manual about how to get it all right. We are ultimately a product of our biology and environment. Consequently, I choose to be compassionate with others when I consider how much painful emotional baggage we are biologically programmed to carry around. I recognize that mistakes will be made, but this does not mean that I need to either victimize myself or take your actions and mistakes personally. Your stuff is your stuff, and my stuff is my stuff.
I hated it when people tried to force me out when I wasn't ready. It was very painful, and it actually pushed me away from doing so.
I was so lucky because I started working very young. And my father was very wealthy and I didn't need to work. I did my films. I was very well paid for my age, and I could make choices, decide not to do a film for six months and wait until I'd get the right thing. Which made me quite a coward, you know. It's so easy to say no to stuff, and then, after a while, it's very hard to go back in.
Hail fellow, well met.
When I first met Alan Parker, who directed 'Angel Heart,' he'd heard so many horror stories about me that he was literally scared to death of me. Right away, he sat me down and said, 'I'm very scared of you. I've heard you're a very bad boy.'
Travelling as extensively as I do... the take away for me has made me very humble and very sympathetic to other people's plight in the world and very desirous of being proactive in being part of a solution somehow and not part of a problem. It's made me very patient and very grateful for where I live.
Well, it gives me the opportunity to make the movies that I want to do, because L'Oreal pays me very well. Also it means that I can work with great directors. My last commercial was directed by Erick Zonca, who made 'Dream Life of Angels.' And finally, it doesn't take up a lot of my time.
I only went along to youth theatre with a friend when I was young to try to make myself a bit more sociable. But the whole thing was quite sore; it really hurt me trying to get into drama school. It was a world I knew nothing about - it was very middle class; all that usual stuff. But I was young, determined, and I just went for it.
As a child, I always wanted to come to the Premier League, so when I made the move, I was very happy. Chelsea were on the up - they were doing really good - so I was very excited, and in the end, everything went well here for me.
Alejandro Amenábar is a very interesting filmmaker. I had really liked The Others, which was a movie he made with Nicole Kidman a few years ago. He made a very compelling case about how much he wanted me to be in this movie. Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.
The thing about stand-up was, I was doing all this sketch and YouTube stuff where I was not being censored and I got to do my own thing, and it was really cool.
I think, you know, a fellow CEO said to me that the interesting thing about being CEO that's really striking is that you have very few decisions that you need to make, and you need to make them absolutely perfectly.
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