A Quote by George Catlin

The Missouri is, perhaps, different in appearance and character from all other rivers in the world; there is a terror in its manner which is sensibly felt, the moment we enter its muddy waters from the Mississippi.
I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins. My soul has grown deep like the rivers. I bathed in the Euphrates when dawns were young. I built my hut near the Congo and it lulled me to sleep. I looked upon the Nile and raised the pyramids above it. I heard the singing of the Mississippi when Abe Lincoln went down to New Orleans, and I've seen its muddy bosom turn all golden in the sunset. I've known rivers: Ancient, dusky rivers. My soul has grown deep like the rivers.
I'm not trying to top the 'Muddy Waters' album. What I'm doing by naming it 'Muddy Waters 2' is to let you relive that '90s kind of sound and experience.
At the Muddy Waters thing, I played the first song by myself on an acoustic guitar. I thought that was great that y'all did that tribute to Muddy Waters. I had a real good time
At the Muddy Waters thing, I played the first song by myself on an acoustic guitar. I thought that was great that y'all did that tribute to Muddy Waters. I had a real good time.
The muddy rivers of spring Are snarling Under the muddy skies. The mind is muddy.
Muddy Waters, I suppose, was my first great hero. You know, every boy wants to be a guitar player, and Muddy Waters was just the king. He was the King Bee. He was it.
In Missouri, we built the steamships that plied the Mississippi. It was people of Missouri who believed that a human being could fly across the Atlantic Ocean alone. And it was Missourians who built the capsule in which an American first orbited the earth.
All the really great records or people who made them somehow came from Memphis or Louisiana or somewhere along the Mississippi River...And singers like Howlin' Wolf and Muddy Waters gave me the feeling that they were right there, standing by the river.
God quickened in the Sea and in the Rivers, So many fishes of so many features, That in the waters we may see all Creatures; Even all that on the earth is to be found,! As if the world were in deep waters drowned.
Poetry is perhaps this: an Atemwende, a turning of our breath. Who knows, perhaps poetry goes its way—the way of art—for the sake of just such a turn? And since the strange, the abyss and Medusa’s head, the abyss and the automaton, all seem to lie in the same direction—is it perhaps this turn, this Atemwende, which can sort out the strange from the strange? It is perhaps here, in this one brief moment, that Medusa’s head shrivels and the automaton runs down? Perhaps, along with the I, estranged and freed here, in this manner, some other thing is also set free?
Unquestionably we do stand by our national flag as stoutly as any people in the world; and I myself have felt the heart-throb at sight of it, as sensibly as other men.
Lifeless in appearance, sluggish dazed spring approaches They enter the new world naked, cold, uncertain of all save that they enter.
The lotus grows in muddy waters but this flower does not show any trace of it: So we have to live in the world.
The moment you enter into the world of words you start falling away from that which is. The more you enter into language, the farther you are away from existence.
You could not step twice into the same rivers; for other waters are ever flowing on to you.
If you think of even Tolstoy or a book like 'Anna Karenina,' you go from character to character, and each section is from the third person perspective of a different character, so you get to see the whole world a little more kaleidoscopically that way. That's traditional narrative manner, and I haven't done a book like that before, but I enjoyed it.
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