A Quote by George Clinton

If you got a booty, you're going to dance to disco, funk, you know, whatever's going on. Funk is going to be involved in it. — © George Clinton
If you got a booty, you're going to dance to disco, funk, you know, whatever's going on. Funk is going to be involved in it.
The bottom line with a lot of bands that funk is being applied to is that they don't really listen to funk and aren't versed in funk. Like, you know, Gordon Lightfoot.
Novelists tend to go off at 70, and I'm in a funk about it, I've got myself into a real paranoid funk about it, how the talent dies before the body.
Funk, I don't think I have anything to do with funk. I've never considered myself funky.
When I leave a room, it's gonna be footprints of funk wherever I stepped, because I'm a soul-funk crusader.
I like the New York style of funk, the California style of funk, but the South I never felt like - and Atlanta particularly - got the credit for taking their lessons and progressing on it.
I'm the renegade of funk. I've made house, techno, rock, funk, reggae... That's why I've been on so many different labels.
I'm not going to play funk licks on a jazz album. That makes no sense.
'Uptown Funk' has all the ingredients of the funk that I love.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
'Spectrum' is in part a disco song. But we play it hard, and it's a real euphoric, wailing tune. It's kind of like a total house anthem, in a way, but it seems to be going down really well. We've got all the grunge kids going mad for disco house raves.
I was very happy with the success of 'Noise/Funk,' but of course, there is a lot more that I have to say about the dance, about the history, about the people involved with the dance and their history.
There's a very thin line between rock and funk. Funk is like a dirtier blues, and so is rock. They're close cousins.
I come equipped with stereophonic funk producin´ disco inducin´ twin magnetic rock receptors.
Some cultures don't have a separate word for music and dance. To my knowledge, this notion of listening to music without dancing is a Western creation. I can't think of any artist that I love that doesn't inspire movement in some form or another. I guess Tangerine Dream or early Vangelis or something like that, you're not really going to dance. But on the whole, I feel like dancing and music are so naturally intertwined. I feel like subconsciously, that's the goal whenever I'm working on music. It's kind of the defining thing: Does it got some funk to it, basically?
I'm like an open book. Whatever is going on with my life, I'm going to let the people know. I feel like that's how you always stay in-tune with your fans, letting them know everything that you've got going on.
I had a few DJs in my neighbourhood that would play music in the streets. There was no hip-hop yet; there were just DJs that were playing disco, funk, and pop music, and we would gather round, go to the parks, and dance and enjoy ourselves.
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