A Quote by George Clinton
My ability has always been to walk out on the stage and see the audience and figure out what they wanna hear.
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I will have a playlist ready that I'll play out to the audience before I walk on stage, and I'll listen to that same playlist in the room, so by the time I walk on stage, I'm in the same frame of mind the audience is.
I was about to walk on stage at the Kansas Speedway - I was playing a NASCAR race - and I said to Scooter Carusoe, who was standing side stage, 'I want to write a song called 'Wanna Be That Song.' Then I put my earphones back in and walked right out on stage.
I always talk about the reporters that grovel when they wanna write something that you wanna hear but not necessarily millions of people wanna hear or have to hear.
I honestly don't have like a person that I wanna work with. I'm just always focused on me, and I'm still trying to figure out my sound and what I wanna do. So I'm never really looking for features or something.
My illness has changed me - I've always thought "life is short and I wanna make as much of it as I can," but I really don't have time to mess around. This has really been a wake-up call in terms of what's important, and I'm working hard to figure that out. I need to get better at not doing favors for people all the time. It's hard because there's so many people who have helped me get to the point where I'm in a band that people wanna come see, or where people pay money to see me lecture.
I wanna hear it, I wanna hear it from each and every one of you. I wanna hear it from the kids, the men, the women. I wanna hear it from every single person in this arena. I want you to stand up out of your seat, I want you to get up and do what you should have done a long time ago! I want you to admit that you were wrong! All of you! You all were wrong! Each and every single one of you! I made it!
The most remarkable moment is when you go out on the stage and you hear the applause of the audience!
Every night when I go out on stage, there's always one nagging fear in the back of my mind. I'm always afraid that somewhere out there, there is one person in the audience that I'm not going to offend!
Ability to download music for free might not be positive for the artists to get royalties, but in some ways it's still good that people can get your music, and hopefully in the course of that, people will want to see you live, around the world shows. It might get you to where you get to travel all over the planet. 'Cause now people are hungry: "Oh, I wanna see this guy, I wanna hear this music live, I wanna see if they're gonna remix it or funk it up differently when I see them."
I've never been very comfortable as an actor looking out into the audience; I always like to keep my focus on the other person. When you start playing out to the audience, it takes me out of it, because people don't do that when you're in life behaving with another person - you don't often look out, around you, in a presentational manner.
With a comedian, it's the opposite. You put that album out, and they've heard it. If they're coming out to see you, you'd better be doing new stuff. There's always a tiny part of the audience that want to hear certain bits of yours, or they've brought friends to see you, and they've told them about some of your bits. Then maybe you should do them.
There's war - there's always been war, as long as most of us have been alive. There have always been people being abused, there's always been horrible things in the world. Why are we outraged? We should just be quiet and figure it out, and work it out together.
Don't try to figure out what other people want to hear from you; figure out what you have to say.
I've always been someone who likes to share and talk. When something happens to me I [don't] run away from it. I want to dive right into and explore it. Try to figure out why it's happening and try to figure out something good that's going to come out of it.
When I walk out on stage, I don't know who's in the audience. To me, in my little fat skull, the laugh is just the widest demographic you can get.
You listen to the audience. The audience is wrong individually and always right collectively. If they don't laugh, it isn't funny. If they cough, it isn't interesting. If they walk out, you are in trouble.
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