A Quote by George Clooney

You've got to remember that films don't lead the way. People think that films are trying to lead society. Mostly, they're reflecting the moods and thoughts that are going on in the country or around the world.
One of my favourite films is called 'Lacombe Lucien,' directed by Louis Malle. The lead character in that film, like the lead characters in many '70s and '80s films, has a moral ambiguity to him.
There's not enough black films out there. There's not enough Latin films, or films that have an Asian, Indian or Middle Eastern lead. The list goes on and on.
My taste in films doesn't lead financers to think they are going to make a zillion dollars.
To be honest, many of my well-wishers want me to play the solo lead in films. Maybe, it's time to think about it. In fact, I have cut down on signing up multi-starrer films.
I've never had any illusions about being a lead actor in films, because lead actors have to be of a certain kind.
I know that our country is strongest when we lead the world, when we lead strong alliances. And that's the way Eisenhower and Reagan and Kennedy and others did it.
Failure at the box office of some of my earlier films led to a lack of opportunity to play main lead in good films.
If you lead a country like Britain, a strong country, a country which has taken a lead in world affairs in good times and in bad, a country that is always reliable, then you have to have a touch of iron about you.
Yeah, like '300,' I've probably watched it 300 times. It's one of my favourite films. I've just finished watching 'Spartacus,' another great series. I relate a lot to those kind of films. I think most fighters should relate to those films. It just seems natural. I am Spartacus, I am Leonidas, I am the lead role in those films.
My films are about ideals that clash with the world. Every time it's a man in the lead, they have forgotten about the ideals. And every time it's a woman in the lead, they take the ideals all the way.
When I began my journey in films, I never thought I'd be playing the lead in my films and was keen to move ahead with roles that give me scope to act.
I think that horror films have a very direct relationship to the time in which they're made. The films that really strike a film with the public are very often reflecting something that everyone, consciously or unconsciously feeling - atomic age, post 9-11, post Iraq war; it's hard to predict what people are going to be afraid of.
The vampire or the bad guy, that's what people do remember. Lars von Trier, like Guy Maddin, their films are made for a group of exclusive people who like special films. And they are special films, they are art films. And I started with commercial films at the beginning, and later on, because you know, when you are an actor, you have the same cliché like everybody else, you want to be in big films, you want to be known and all that.
Like the way we get to know about the society of Korea, Iran, and other countries through their films, people will get to know about our country. Our films are a mirror of our society.
The problem with labels is that they lead to stereotypes and stereotypes lead to generalizations and generalizations lead to assumptions and assumptions lead back to stereotypes. It’s a vicious cycle, and after you go around and around a bunch of times you end up believing that all vegans only eat cabbage and all gay people love musicals.
I can remember, after I started doing films, my mum began going to more arthouse films. She went to see 'Edward Scissorhands' and phoned me up and said: 'What was that all about? He had scissors on his hands.' Good question. I think she should review films on Channel 4.
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