A Quote by George Clooney

Any topical subject, if it's Hollywood, will be a couple of years later because you've got to write it, produce it and distribute it, so automatically you're never going to be right on the cutting edge of stories.
One of the things you have to understand with The Room, I never approached a studio to produce, because I know no one in Hollywood will produce this. I came to Hollywood and I said "I will produce this movie the way I want it."
That's the trouble with playing a cutting-edge narcotics detective - you've got to wear what's topical at the moment. My kids tease me about outfits I was wearing last week, let alone in the eighties.
Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.
I can't write a joke. I could never write. I do a lot of stories and I call them stories, but they're just comedy recitals on a given subject.
I think that one of the things is that, if you are going to decide to be a painter, you have got to decide that you are not going to be afraid of making a fool of yourself. I think another thing is to be able to find subjects which really absorb you to try and do. I feel that without a subject you automatically go back into decoration because you haven't got the subject which is always eating into you to bring it back - and the greatest art always returns you to the vulnerability of the human situation.
The irony is I did an intimate film in France with no stars and that got me to Hollywood. It got me to the Oscars. If I had tried to imitate the Americans or the Hollywood movies with a commercial recipe, I'd never have gotten to Hollywood. Although, it was not my goal in any way, and I never thought there was any connection between Monsieur Lazhar and the Oscars.
It was total naivety that got me to Hollywood. I thought it was going to happen straight away. I told myself 'give it 5 years, there's no way I'll be here after that if it doesn't happen'. Cut to ten years later!
I'm one of those writers who started off writing novels and came to writing short stories later, partly because I didn't have the right ideas, partly because I think that short stories are more difficult. I think learning to write short stories also made me attracted toward a paring down of the novel form.
The politician is trained in the art of inexactitude. His words tend to be blunt or rounded, because if they have a cutting edge they may later return to wound him.
I got to fight the greatest-of-all-time in my weight division - not once but twice. I was watching this guy when I was 16 years old when I first started kickboxing. I wanted to fight Aldo in a kickboxing match. A couple years later, I came to MMA and wanted to fight him. 10 years later, I got to fight the man twice.
I finish the book so I can see how it's going to end. I write that first sentence, and if it's the right first sentence, it leads to the right second sentence and three years later you have a 500-page manuscript, but it really is like going on a trip, going on a journey. It's a voyage.
When you go to the Hollywood world and you wade in the waters out there, you never know who you’re going to meet and what meetings you’re going to have at some point, somewhere that leads to something else. So you could see somebody years later that comes to fruition.
You can't do anything interesting with cutting-edge technology except not make it cutting-edge.
Social questions are too sectional, too topical, too temporal to move a man to the mighty effort which is needed to produce greatpoetry. Prison reform may nerve Charles Reade to produce an effective and businesslike prose melodrama; but it could never produce Hamlet, Faust, or Peer Gynt.
You think NASA is going to be cutting edge, but they've got so many buildings that are just left over from the '60s. It's old.
When you are known as this cutting-edge composer all the time... it's no longer cutting-edge.
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