A Quote by George Clooney
The truth is my development I hope is the same way as everything, which is, I succeed some, I fail some, and I keep slugging away at it. I really enjoy it. It's fun.
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Everything is a contest. All dealings among men are a contest in which some will succeed and others fail. And some are failing quite spectacularly.
Nobody likes to fail. I want to succeed in everything I do, which isn't much. But the things that I'm really passionate about, if I fail at those, if I'm not successful, what do I have?
As a human being it is just my nature to enjoy and share philosophy. I do this in the same way that some birds are eagles and some doves, some flowers lilies and some roses.
I enjoy making money and I enjoy the work [acting]. I'm really into it and it's really fun. As long as it goes for, I'm happy to keep going with it. It's a good ride so far, and I hope the wheels stay on.
Hope is a terrible thing, she said. Is it? Yes, it keep you living in another place, a place which doesn't exist. For some people it's better than where they are. For many it's a relief. From life, she said. A relief from life? Is that living? Some people don't have a choice. No and that's awful for them. Hope is better than misery, he said. Or despair. Hope belongs in the same box as despair. Hope is not so bad, he said. At least despair has truth to it.
I want to give my kids the world, but I also want them to appreciate everything, to succeed, to be good people, to enjoy life. This is my most important role. If I fail at this, I fail at everything.
I always tend to write about outsiders. And what's been fun for me is, as I travel around and visit schools, is that other kids that feel the same way relate to some of my characters, and so I hope in some way that's helping them when they want to read about somebody that they can relate to.
There's some anxiety the 30 minutes before the show starts. But once you step on stage and face the people, everything goes away, and you have fun and enjoy the audience.
Really the one thing that Pierce told me and that I've taken with me is to have fun doing it. As much as we dive into some serious characters and some serious situations and all that, you've got to enjoy it and remember that you're here to make entertainment and to make people have a nice time when they watch the movie. To me that was something I really took away.
No one should be surprised at the difficulty of faith, if there is some part of his life where he is consciously resisting or disobeying the commandment of Jesus. Is there some part of your life which you are refusing to surrender at his behest, some sinful passion, maybe, or some animosity, some hope, perhaps your ambition or your reason? ... How can you hope to enter into communion with him when at some point in your life you are running away from him?
I think everything needs to be played real, for reality's sake, for truth. And that is the drama and the comedy. When you do that, it's funnier. And when you do that, you really do hit the emotional beats. I do it the same way as I do a drama. I just play it for truth, and then maybe have a little bit of fun with it sometimes.
I used to be the guy who wanted to do everything myself, wanted to write and play everything myself, but the older I've gotten, the more collaborations I've gotten. I really enjoy working with other people to create different styles of music, because I really do listen to everything, and I enjoy every kind of music. I think some of the best stuff comes from working with people who have different perspectives on the same thing.
Not everybody feels religion the same way. Some it's in their mouth, but some it's like a hope in their blood, their bones.
I also wanted to have fun with it. I wanted to have the scope, which I felt Merlin has, in his Machiavellian bi-polar way. He's not to be trusted, yet he is fighting for this great power and is really a master, to some degree, in orchestrating Camelot and King Arthur. He's a strange, dark devious character, and I just wanted to have fun, and get away from the cloak and long beard and pointy hat.
Some time ago a little-known Scottish philosopher wrote a book on what makes nations succeed and what makes them fail. The Wealth of Nations is still being read today. With the same perspicacity and with the same broad historical perspective, Daron Acemoglu and James Robinson have retackled this same question for our own times. Two centuries from now our great-great- . . . -great grandchildren will be, similarly, reading Why Nations Fail.
Some technologies don't pan out; some companies fail. But I will not walk away from the promise of clean energy. ... I will not cede the wind or solar or battery industry to China or Germany because we refuse to make the same commitment here.
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