A Quote by George Clooney

When you see Hitler burning paintings by Salvador Dali and Picasso he's telling you that this time period and these men and this culture didn't exist, and I've seen that happen in other countries, Sudan for instance, it's not enough to kill them you have to destroy all of their markings that they left that was their history.
Every morning upon awakening, I experience a supreme pleasure: that of being Salvador Dali, and I ask myself, wonderstruck, what prodigious thing will he do today, this Salvador Dali.
Every morning when I wake up, I experience an exquisite joy - the joy of being Salvador Dalí - and I ask myself in rapture: What wonderful things this Salvador Dalí is going to accomplish today?
It's Frank's painting on the cover. We were originally going to use a Salvador Dali painting that we got permission from Salvador Dali to use, and Frank found this one, and it really did fit the music much more.
I was nervous. I mean, I'd met the Beatles, and Elvis, and everybody, but this was Salvador Dalí . This was like my history.
I taught principally German language and literature at Eton. But any master with private pupils must be prepared to teach anything they ask for. That can be as diverse as the early paintings of Salvador Dali or how bumblebees manage to fly.
Last year I went fishing with Salvador Dali. He was using a dotted line. He caught every other fish.
To be converted you have to destroy your past, destroy your history. You have to stamp on it, you have to say 'my ancestral culture does not exist, it doesn't matter.'
Art is about imagination. When you look at a picture from Salvador Dali, that's about imagination. When you look at Picasso, that's about imagination. Doing stuff from your heart.
Everything Hitler did to the Jews, all the horribly unspeakable misdeeds, had already been done to the smitten people before by the Christian churches. . . . The isolation of Jews into ghetto camps, the wearing of the yellow spot, the burning of Jewish books, and finally the burning of the people - Hitler learned it all from the church. However, the church burned Jewish women and children alive, while Hitler granted them a quicker death, choking them first with gas.
[Pablo] Picasso really changed my life. It's strange to say so, but I started to see some Picasso paintings very early. I was very young, and he was not so much known.
Look at the paintings of Picasso. He is a great painter, but just a subjective artist. Looking at his paintings, you will start feeling sick, dizzy, something going berserk in your mind. You cannot go on looking at Picasso's painting long enough. You would like to get away, because the painting has not come from a silent being. It has come from a chaos. It is a by product of a nightmare. But ninety-nine percent art belongs to that category.
I've always worked from images that already exist in our culture, and I just tweak them - I photograph my vision/interpretation of things that already exist, and I take it to the extreme. And then I make paintings or videos.
It has had a calamitous effect on converted peoples. To be converted you have to destroy your past, destroy your history. You have to stamp on it, you have to say 'my ancestral culture does not exist, it doesn't matter'.
If you're fortunate enough with your history, like with Men in the Cities, your work becomes so absorbed in culture that the authorship of it doesn't exist anymore.
I have always been a fan of Salvador Dali, but Amrita Sher-Gil, who was an Indian-Hungarian painter, is another favourite. She was painting Indian women, and, growing up here, I'd never seen anyone paint Indian women, so that was really incredible to see a painting of someone who looks like you. I think that has a lot of impact on you.
Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.
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