A Quote by George Clooney

The people I've respected most in the industry over the years - Paul Newman, for instance. I just loved the way he handled growing old on-screen. It's understanding that you're now basically a character actor. Which is fine, but you have to pay attention to it.
The people I've respected most in the industry over the years - Paul Newman, for instance. I just loved the way he handled growing old on-screen. It's understanding that you're now basically a character actor.
From the simplest lyric to the most complex novel and densest drama, literature is asking us to pay attention. Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady in the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein.
I'll never be the biggest kind of star; I'll be like Bob Duvall, respected as an actor but a lot of people can't identify the face. I don't have the personality of a big star, or the looks of a Mel Gibson or a Paul Newman, or the style of a George C. Scott.
You need some insecurity if you're an actor. It keeps the pot boiling. I haven't yet started to think about retiring. I was shocked when I heard about Paul Newman retiring at age 82. Most actors just fade away like old soldiers.
At the beginning of your career, it's 'Who is Paul Newman?' and then it's 'Get me Paul Newman.' Then it's 'Get me a young Paul Newman.' Then it's 'Who is Paul Newman?'
Growing up, Paul Newman seemed like the ultimate manly actor. And then, I got to work with him and we became friends, so that was nice.
I loved early Paul Newman films. He just had this effortless charm.
That's the Holy Grail right now for the whole media industry, and so that's where most of our efforts are going to: How do we get people to pay for this, and to continue to pay for it as there's more and more competition for their attention?
I got into this business when I was 22 years old, and I didn't have a woke bone in my body. And all I wanted to do was be on screen and for people to pay attention to me, but we evolve and our cause evolves and the conversations today are certainly very different.
None of the actor methods ever discussed what it would be like to play a character on film for over a decade, and what it must be like to return to a character and imagine the time off-screen, which is interesting. There's something as an actor that I enjoy about evolving characters.
I have been in the industry for many years now, but people still come up to me and say, 'Sir, you're such a good actor. We loved watching you in that movie. What's your name?' While any other actor might get offended, I don't mind this at all.
We tend to pay attention to that which is the most current on our radar screen.
To discover what you really believe, pay attention to the way you act -- and to what you do when things don't go the way you think they should. Pay attention to what you value. Pay attention to how and on what you spend your time. Your money. And pay attention to the way you eat.
One of the things I've learned over the years is that you only do what you can do as an actor. You do the best job you can, but you have no control over so many elements that are going to determine the outcome of that film. I never pay attention to what happens after.
I was two years old when I saw the mandolin for the first time, and I just loved it. I just loved the sound of it, the shape of it even, and the way it looks. And I still love it, which is a testament to something.
Basically, the actor's job is to pay attention to the script.
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