A Quote by George Clooney

I'm a Method actor. I spent years training for the drinking and carousing I had to do in this film. — © George Clooney
I'm a Method actor. I spent years training for the drinking and carousing I had to do in this film.
I definitely consider myself a Method actor, because of my training. I might dispute what people consider a Method actor to be. For my money, a Method actor is an actor who has a technique. That has a method. And not one method, but whatever might be required. So a Method actor is always learning.
I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
Some people manage to make that transition from child actor to adult actor seamlessly. But I felt that if I spent my whole life on a film set without taking a few years to do something else, all I would ever know about was film sets.
I have no inhibitions about smoking or drinking, but I think too much of my voice to place it in jeopardy. I have spent many good years in training and cultivating it, and I would be foolish to do anything which might impair or ruin it.
If you had no real training, if you hadn't spent years and years studying a martial art, how would you kill the bad guy?
I spent a lot of my life - 20 years of it - in war, training army trackers and commanding a tracker unit, and then in the Game Department, tracking lions and elephants and poachers. So I've spent literally thousands of hours tracking people or animals, and training others to do it.
For the three years I was in school training to be an actor, I was told, 'It's very unlikely you'll work at all on the stage or in film', so I feel I have to take all the opportunities I can.
I spent twelve years training for a career that was over in a week. Joe Namath spent one week training for a career that lasted twelve years.
I have nine years of scholastic actor training, and what I've learned is that training does not an actor make. You have to have an artful way of looking at things. You have to have a certain point of view. And you get that point of view through experience.
I love the variety of films. In theater, you go into a room and the director runs the room, so you all work to his or her method. On film, if an actor or an actress is in for a day or two, the director has to get out of that actor what they need, so they have to change and adapt to that actor's technique.
I consider myself a method singer, not a method actor. I applied method acting to singing.
Adam Clayton Powell Jr. was a very savvy character. His drinking and carousing, his charisma and intelligence... the things he did in Congress. He passed for white, then became a black advocate.
I spent a lot of time with the LAPD. I spent six weeks training, weapons training, ride-alongs, surveillance, interviewing them, in all different departments and divisions.
I was born in Evanston, Illinois. I spent my elementary and part of my junior high school years in a D.C. suburb. And then I spent my high school years in Minnesota. And then I spent my college years in Colorado. And then I spent some time living in China. And then I spent three years in Vermont before moving down to Nashville.
There is definitely a Japanese influence on my style. I spent several years back and forth training over there, training at the New Japan Dojo in Los Angeles and picking up various techniques from wherever I go.
For two consecutive Broadway seasons, I had probably the best juvenile roles there were for an actor. Then I moved to California to recreate my role in the film version of 'Tribute.' I started working in film and television after that, and 38 years blew by!
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