A Quote by George Clooney
It's not about an opening weekend. It's about a career, building a set of films you're proud of. Period.
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The stakes are high on every film now because there's the opening weekend. The first week is extremely crucial; increasingly, films are being judged in terms of opening day, opening weekend, then first week. People are going berserk promoting their films.
I've been lucky enough to do a few films that will last longer than an opening weekend and those films are the ones I'm proud of.
I don't remember who wins awards [Oscars]. I've won a few but what I really remember are movies. I love films, so I'm not concerned about speculation about winning things because I really enjoy being in films that last longer than an opening weekend. That's my goal in life.
Supernatural movies generally have a much more brooding pace. If you look at films like 'The Sixth Sense' or 'The Others,' it's more building up the characters and building up the situation as opposed to just opening with a big action set piece.
Of course there are many films about the period of Fascism itself but I don't know of any about that period beforehand. But it wasn't that specific fact that they weren't there that got me to think about this in the first place. It's not what led to the basic idea for the film, although it became apparent when I began to think about it.
My films may not have a great opening, but I am not bothered about it. Whatever the numbers be, I want those viewers who come for my films to be excited about watching the movie.
When you're at the beginning of your career, there are a lot of, "I don't care about this," jobs that you take because it's about building your resume and building connections. There are so many factors that don't have anything to do with choosing for the material.
Films are a very personal experience - just like a martini - so I try to think about what I like, what projects I like to be in, and make sure I feel proud about it because, at the end, I'm the only one that's going to look back and feel proud or not about what I was doing.
Becoming that guy who does one thing is not very interesting. I'm lucky and proud to have been involved in period films and action films.
I personally love to see films not knowing very much about them. When you see it, it's like a flower opening up. I deliberately never read about films before I see them.
Critics should think about how the opening weekend audience might want to discover some surprises for themselves.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
It's something to be proud about when I'm done, to look back at my career and know I've handled myself the way I wanted to - that my son can look back at my career and be proud of his dad.
With female-oriented movies, unless it's something like 'Bridesmaids' or a romantic comedy, you've got to really worry about your opening weekend. And I'm always telling stories about women, not younger women, and it's just a much tougher audience to get to the movie theater.
I do know my own films don't necessarily work within that high-pressure reductive moment of the opening weekend - or all the ways that many people assess the value of movies.
When I stepped out from doing films and had a dark period, I never did anything dark on a set, so I never made enemies on a set. I never was a bad girl on a set; I always considered films a really sacred space, so when I had my problems, I had them very much away from the film community.
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