A Quote by George Duke

I work with many jazz artists as Miles Davis, Laughlin, etc.. One of the things all these artists had in common is that they had no fear. — © George Duke
I work with many jazz artists as Miles Davis, Laughlin, etc.. One of the things all these artists had in common is that they had no fear.
My favorite artists are able to take things to the edge or just over the edge. Miles Davis and Duane Allman, for example. It's about not playing too many notes. Those guys had lots of phases to their careers, but they always played with economy and intelligence.
The only thing the Pop Artists had in common is that we all had been commercial artists in some manner. Lichtenstein was a draftsman; I was a billboard painter, but we didn't work together. I didn't meet Andy Warhol until 1964.
Footballers can be like artists when the mind and body are working as one. It is what Miles Davis does when he plays free jazz - everything pulls together into one intense moment that is beautiful.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
Miles Davis and Felonious Monk, they're both great artists who enhance things.
It evoked Picasso and Miles Davis for me — two great artists who totally indulged themselves in their work and who they were, but they certainly didn't give a damn what other people thought.
I like to work with artists from around the world. There are so many new inspiring filmmakers. I had the privilege recently to work with Ethiopian filmmaker Zeresenay Mehari and his wife on the film Difret. They are that unique balance of very thoughtful conscious filmmakers who are also brilliant, original artists.
I think the role of artists in the past was very different. Artists had less responsibility in many ways.
We're trying to do what Miles Davis would have wanted us to do, which is approach it as artists with his life as the canvas.
I was lucky to grow up in the '90s, when we had just as many strong female artists as male artists. That's a world I would like to live in again.
The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot, and coincidentally, we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.
The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot and coincidentally we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.
I am in the lineage of Gil Scott-Heron, great activist-type artists. But I'm also in the lineage of a Miles Davis - you know, that liked nice things also.
We haven't had a slew of artists, but the artists we do come out with have always had the same momentum.
Incompatibilists will tell you that a work of art has no meaning unless the artists could have chosen to create a different one, but actual artists often say things like "the book chose me" - that is, the work had to be. Some philosophers would call it "volitional necessity", and a similar case that's discussed is the case of Luther saying "here I stand, I can do no other".
Miles Davis, my one and only real hero of my life. I met him [because] every time I had a movie interview, I would shift the conversation to jazz. Miles, when I finally met him, he knew he had a sucker walking in the door. Because his people told him, “This guy plays the trumpet and every freakin’ interview he has ever given, he’s talked about you.”
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