A Quote by George Eads

I handwrite out all my lines. I like to see my handwriting, and I like to keep my notes over time. — © George Eads
I handwrite out all my lines. I like to see my handwriting, and I like to keep my notes over time.
I’ll write down little lines, I always say, 'K.T.N.,' and I say that to my receivers and running backs and that means 'keep taking notes.' That keeps me alert. That keeps me going. That keeps my drive there, even when you’re taking notes on something that you’ve already taken notes on a million times - keep taking notes.
From the minute we're born, boys and girls stare at each other, trying to figure out if they like what they see. Like parade lines, passing each other for mutual inspection. You march, you look. You march, you look. If you're interested, you stop and talk, and if it doesn't work out, you just get back in the parade. You keep marching, and you keep looking.
Somehow I started introducing writing into my drawings, and after a time, the language took over and I started getting very involved with the handwriting and then the look of the handwriting.
Gimme the tune. Do I like this tune? Does it sound like another tune that I like? The more familiar it is, the better I like it. Hear those three notes there? Those are the three notes I can sing along with. I like those notes very, very much. Give me a beat. Not a fancy one. Give me a GOOD BEAT -- something I can dance to. It has to go boom-bap, boom-boom-BAP. If it doesn't, I will hate it very, very much. Also, I want it right away -- and then, write me some more songs like that -- over and over and over again, because I'm really into music.
I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
I love what I do, but I've got a life out of here. I like to spend time on the computer. I like technology. I like music. I like movies. I like to go out and party. I like my cigars, but I don't drink, and I do like to keep a low profile.
I think of my drawing style like handwriting: it's a mix of whatever handwriting you're born with, plus bits and pieces you've pilfered from other people around you.
I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting.
When you handwrite something, you're writing your most raw, pure thoughts. If you want to change it, then you have to mark it out, and people can see you laboring over that thought. I think even the act of hand, pen, and paper is much more intimate than with a computer screen.
A person like myself will keep challenging to see if I can keep doing it over and over again.
You never can tell, though, with suicide notes, can you? In the planetary aggregate of all life, there are many more suicide notes than there are suicides. They're like poems in that respect, suicide notes: nearly everyone tries their hand at them some time, with or without the talent. We all write them in our heads. Usually the note is the thing. You complete it, and then resume your time travel. It is the note and not the life that is cancelled out. Or the other way round. Or death. You never can tell, though, can you, with suicide notes.
The ballet embodies the notes of music. And sometimes you almost feel like you can see the notes dance up there on the stage.
You can be enormously effective for a period of time, because it's almost like there's an engine in you that needs to keep going, and you have a greater drive than other people - who may be more happy and balanced in life - because you have to keep going out and proving yourself over and over again.
I remember as a child I just would copy everyone else's handwriting, and now I have sort of a version of my sister's handwriting. And I feel like - sometimes I feel that way for my voice.
For me, even my break time I like to pull out the bow and just go over a Vivaldi sonata and keep my head sharp, keep everything sharp.
I am a sad person. In this world there are people who like major notes and minor notes. I like minor notes.
This site uses cookies to ensure you get the best experience. More info...
Got it!